DIGITAL CAMERA AS THE NEXT GENERATION

Shutter counter on Olympus E-500

2008-05-20T08:27:00.003+07:00

How to see the shutter counter on Olympus E-500

Turn camera on
Open card door.
Press Play(green arrow on e1) and ok together

Press up down left and right
Press shutter button
Press up
press right.

R = shutter releases (it shows the number of shutter releases the camera had so far)

Source
http://www.molon.de/E500/#TipsTricks

Landscape photography

2008-04-18T19:56:00.003+07:00

Digital Landscape Photography is a broad and varied subject matter, with a huge spectrum of possible interest areas and approaches. You may have seen the work of Landscape Photographers solely interested in shooting 'urban' scenes, images of city life, construction or degradation. Or those who enjoy an alternative approach, experimenting with color manipulation, infrared or unusual angled shots. In this guide we'll discuss the most common area of Landscape Photography - the natural world.

Constant evolution of technology within the digital photography market has provided us with the opportunity to go further than ever before with our work. Combining new technology with advanced techniques and more 'know how' means that even the amateur is now capable of producing mind-blowing results. Whether captured on canvas, paper or in as a digital image, landscapes have always been a great artistic theme for photographers. We have and always will be inspired by our surroundings, its colors, shapes, contrasts and impacts. However, producing these results is not easy, even with the digital equipment readily available to us in todays market. It takes technique and more importantly it takes imagination and flair. Lets discuss some of these techniques now..

1. Location Location
A carefully chosen location is paramount to a good Landscape shot. Think about the purpose of your shot before hand. What is it your trying to achieve? Try to visualize your finished picture. Is it for a particular purpose such as hanging above your fireplace? Or maybe you're trying to capture a beautiful scene such as a mountain range, seascape or moorelands? Location & purpose should come as one.

A great landscape trick is to imagine and assign an emotion to your picture before you take the shot. For example, if you were looking for a shot to hang in the bedroom, think of serenity, peace or calm. If you were looking for a shot for a exhibit, think anger or fury to bring out a striking impact. You'll be amazed how you will naturally change the composition of your shot after thinking of an emotion behind the picture! Give it a try yourself!

2. The Composition
Keeping it simple and uncluttered is generally a good rule. By removing distractions from your photographs, you will help bring more prominence to your focus subject as the viewers eye will not drift as much. It is also important to include some form of foreground interest into the image too, this may be your main subject or it could simply be part of the background that continues forward.

Landscape photographers often talk of the 'Rule Of Thirds'. When using the 'Rule of Thirds' you keep the main focus subject off center and away from the middle of the frame. As a result, a photo looks more dynamic, and ultimately more interesting to view. Imagine your image is divided into nine equal parts. Placing your subject where any of these lines intersect or meet, will help in producing a well-balanced, dynamic photo. Yet do remember that your creativity beats any rule hands down! So don't be scared of experimenting with your digital landscape photography composition. Many masterpieces were discovered through experimentation!

3. The Focal Point
The focal point is closely related to the composition of your image. Simply ensure that your composition has a particular focal point to attract the viewers eye, such as a lighthouse, a boat on the ocean etc. This just makes sure the photo has a dimension and sense of scale. Keeping this technique in mind will also help prevent the image from looking too bland or boring.
You dont have to use something mainstream as your focal point, infact it's more eye-catching and interesting when you choose something completely out of the ordinary. There really is no boundary here, be creative and see what you can come up with. After all, we're looking to achieve impact with our photography. This is what makes good photos striking & memorable!

4. The Time of Day
The quality and effect of light changes dramatically during the day as the hours pass. As the sun rises, shadows are weaker and pastel colors more apparent in your shots. Atmospheric haze is also at its lowest. As the day progresses the light becomes more contrasting & harsh, with colors fully saturated during the middle of the day. Shooting with the sun behind you, or to one side, will usually work best for maximum color impact. A favorite time to shoot is often in the evening, as the sun sets, the light casts a warm, rich glow which works extremely well for landscape images.
Try placing the main focal images in front of the sun, causing light to break around the edges. The results can be astounding. As the afternoon progresses, the sunlight will create much warmer colours on your subjects or scene. Shooting into the sun as it moves towards the horizon can also create stunning silhouettes. Making a silhouette with a sunset couldn’t be simpler, at this point of day you'll find them everywhere! Once the sun has set the dusk or twilight colors can still glow with warmth. After the sun has disappeared carry on taking pictures using longer exposure times and you'll see the sky takes a dark blue tint which is great for atmospheric scenes.

5. Capturing The Perfect Moment
There's a lesson to be learned here, a good photographer must have the discipline and self control to take the shot he wants, but also NOT to take the shot he doesn't want! Do not be rail-roaded into taking second rate shots just because factors seem to turn against you. If you cant get the shot you want because it starts to rain, take a walk, explore! Don't see the rain as a set back, see it as an opportunity to capture shots only possible when it's raining! Source : your-digital-photography.com

Nikon S52 and S52c

2008-04-14T17:03:00.006+07:00

Announced 10 April 2008
Nikon UK has announces the S52 and S52c, two new additions to the successful COOLPIX S series of digital compact cameras.

The new cameras feature an elegant design that combines style and versatility with ease of use, and incorporate Nikon’s industry-leading standards of innovation and quality. They are intended to appeal to consumers who believe that style and advanced technology should come hand in hand.

Both cameras feature a 9.0 megapixel resolution for crisp, clear results and a space-saving vertically-mounted NIKKOR lens that offers 3x zoom and VR image stabilisation. The S52c continues Nikon's innovative Wi-Fi compatibility in the COOLPIX range, with built in capability for connection to the internet, allowing users to share pictures instantaneously with their friends and networks.

Kazuhiro Okano, Assistant Manager Consumer Products, at Nikon Europe says: “The COOLPIX S52 offers a unique combination of style and technology. Fast image processing and responsive operation is guaranteed with Nikon’s EXPEED technology., and we have also ensured that the high exterior quality of these cameras matches the advanced innovations inside. We hope that the choice of colours will appeal to both men and women alike, and we are confident that those looking for advanced features will love the S52c’s WI-FI connectivity. ”

COOLPIX S52c
With its sophisticated wave-surface design, smooth curves and beautiful finish, the S52c is a joy to use. Despite being lightweight and compact, the S52c is packed with features. Its 9.0 megapixel resolution, EXPEED image processing concept and NIKKOR 3x optical zoom lens with lens-shift VR stabilisation ensures top-notch image quality.

Photos can be shared instantaneously using the built-in Wi-Fi connection and are sent at the single touch of a conveniently-located button. Internet users can take advantage of my Picturetown, Nikon's own photo and video storage site, which offers free storage and sharing of up to 2 Gigabytes of images and movie files. Great pictures can be shared immediately with those around you thanks to the large 3-inch LCD monitor that offers a wide viewing angle and a high contrast level for easy, all-round visibility.
The S52c incorporates three unique Nikon innovations – Face-Priority AF, In-Camera Red-Eye Fix and D-Lighting. In addition, the high ISO sensitivity means that the S52c is fully-equipped for taking pictures of individuals and groups, both indoors and outdoors when lighting levels are low,. That’s not all. The movie recording mode, 15 scene modes for optimised shooting in various settings as well as a macro mode that allows objects to be photographed from as close as 4cm completes the picture.

COOLPIX S52
The S52 is equipped with the same exciting features as the S52c, but is intended for those who do not require internet connectivity. This allows for a slightly smaller body (93 mm wide) and is available in two colours: silver and plum black (depending on country of sale).

Both cameras offer convenient, user-friendly controls and an easy-to-follow set of on-screen menus for access to advanced functions.

S52
RRP £: exclusive
RRP €: exclusive
Colours: Silver, Plum Black
Available from: 25th April 2008 (exclusive)

S52c
RRP £: 229.99
RRP €: 343.00
Colours: Plum Black
Available from: 16th May 2008

Nikon coolpix P80

2008-04-12T01:06:00.004+07:00

Announced 10 April 2008

A new addition to its successful COOLPIX P series range.

The new 10 megapixel camera features a wide-range 18x NIKKOR zoom lens with extended telephoto capability, and incorporates image stabilisation for clear, blur-free results.

Designed for active photo enthusiasts with an interest in fine detail, this camera features a class-leading compact body size and a zoom lens that ranges from wide-angle to super telephoto (27-486mm equivalent in 35mm [135] format). In addition to this, the camera also offers manual control of exposure (shutter and aperture) and a high sensitivity rating of up to ISO 6400 for use in low light conditions. The exceptionally powerful zoom lens is capable of focusing on subjects that are as close as 1 cm, and image-shift Vibration Reduction technology stabilises the image sensor to combat camera shake.

Powered by Nikon’s EXPEED image processing concept, the P80 is an up-to-date solution for the camera enthusiast, providing advanced digital features in a compact format. Kazuhiro Okano, Assistant Manager Consumer Products, at Nikon Europe comments: “The COOLPIX P80 has it all: powerful lens, manual and automatic modes and advanced technology in a compact and ergonomically-designed body. Anyone looking for versatile, high quality camera that is easy to carry around will be thrilled with the results.”

The camera features an electronic viewfinder to allow accurate composition throughout the zoom range and also includes a large 2.7 inch monitor with anti-reflection coating and a wide viewing angle.

As well as offering comprehensive performance through the combination of wide-range zoom lens, image stabilisation and resolution, the P80 incorporates technologies that deliver outstanding results in specific areas. Three unique Nikon innovations that are designed for group and individual portraits (Face-Priority AF, In-Camera Red-Eye Fix and D-Lighting) are supported by the addition of high ISO sensitivity for situations when lighting levels are low.

For additional creative options after taking a picture, the ‘Optimize Image’ feature allows users to take monochrome photographs using a choice of four different filters for effect, while still saving the original colour version of the image.

The COOLPIX P80 is the ideal camera for the photo enthusiast who wants to have the convenience of a point-and-shoot camera with full manual control, and all possible options in-between. With 15 scene modes that are pre-configured for situations such as night time, fireworks, seaside, panoramas and sports photography, the camera can be preset to give the best results in many common settings. The capability for recording movies allows realistic action to be captured at a frame rate of 30 fps as well as time-lapse sequences which expose the mystery of scenes that evolve slowly over hours or even days. The camera comes with an internal memory of 52MB and will accept SDHC memory media, allowing high-speed storage of thousands of photos on a single card.

The P80 will be available at all Nikon retailers as of 25th April 2008.

RRP £: 299.99
RRP €: 448.00
Colours: Black

Digital Fireworks Photography tips

2008-04-09T14:48:00.004+07:00

Here're some short tips to help you get the best out to take fireworks shots

Use a Tripod
If at all possible when taking digital photos of fireworks, bring along a tripod and securely connect your digital camera to this device. Although this may seem like a lot of extra trouble, a tripod can greatly increase the quality of your shots.In low-light situations such as the pitch-black night sky, it is almost impossible to take good photos with fast shutter speeds - there just isn't enough available light for the camera to record an image. Thus, either manually or automatically, digital cameras should be set to take longer exposures. However, it is difficult to keep a camera steady when taking longer exposures. This results in what is called 'camera shake' in that the photo turns out blurry due to the camera movement.With a tripod, you can take longer exposures in these low-light situations and still result in crisp, clear photographs.

Keep the Shutter Held Down
To help remove blurriness due to 'camera shake', when taking digital photographs of fireworks, as you press the shutter button to take your picture, keep the button held down during the entire length of the exposure. Even though you may be taking photos with a tripod, it is still possible for the release of the shutter button during an exposure to shake the camera a tiny amount, just enough for a crisp photo to become slightly blurry.

Exposure Time
When taking digital photos of fireworks, set your camera to use an exposure time (the shutter speed) of between a half a second and four seconds. The longer the exposure time, the more of the "burst" that should be recorded. Also, longer exposure times compensate for the lack of available light. Depending on your digital camera, you may be able to get by with just a one second exposure time or you may need all four seconds to bring in enough light, so be sure to experiment.

Flash Won't Help
Don't plan on using flash to illuminate the night sky when taking photos with your digital camera. Fireworks are shot a good deal away from where you will be taking pictures, thus the small light on your digital camera cannot reach the fireworks and illuminate the night sky enough to make a difference in your photos.

Find a Good Vantage Point
As in any other type of digital photography, when shooting fireworks, composition is critical. Before the fireworks show begins, scout out a good vantage point that provides you with a clear shot of the upcoming show. Try to avoid streetlights that may compete with the brightness of the fireworks. Also important is to find a spot that will minimize the chances of people walking in front of your digital camera. Do not trespass on private property and be safe where you go at night, but look around for an area that can give you a clear shot of the brilliance that is to follow.

Focus to Infinity
Fireworks explode at high altitudes far away from you in the night sky. To record them in the highest possible clarity, set your digital camera focus to infinity. If your digital camera has a pre-set landscape mode, enable this before shooting fireworks. Check your manual for more information, but this mode is usually symbolized by a mountain icon either on a camera switch or in a menu.

Bring Lots of Memory
Due to the imperfect lighting conditions of the night sky, it is difficult for even an accomplished photographer to take perfect fireworks pictures every time. To increase your chances of taking that 'perfect picture', you should plan on taking lots and lots of photos. Thus, make sure to bring along plenty of empty digital memory cards.

Capture a Landmark
If possible, when scouting out a vantage point for your digital fireworks photography, try to capture a landmark in your field of view. This can add perspective to your shot as well as localize the photograph. Capturing a bridge, skyline, or national monument can add much to your pictures.

Increase ISO Slightly
To decrease the amount of light needed to take fireworks photographs in the night sky, thus slightly reducing the exposure time needed to take pictures, consider increasing your digital camera's ISO setting from 100 to 200 (check your digital camera manual for information). This might introduce a slight level of grain (noise) in your photo, but it should not be too prevalent, and can possibly be removed with digital photo editing software if it is noticeable. If desired, and if your digital camera can handle it, you may want to consider increasing your ISO sensitivity even higher, but note that except for the absolute best digital cameras, the noise introduced may start to be clearly visible at 400 or above.

Consider Tilting Your Camera
To record more of the trails left by fireworks displays, consider tiling your digital camera 90 degrees. This can add variety to your photos, especially if you happen to have landmarks or monuments in your viewfinder or LCD. Note that if you still want to use your tripod, it must come built-in with a swivel head, or you may be able to buy a swivel / tilt head adapter to support vertical format shots.

Use Double Exposure For Impressive Photos
One secret some professional photographers use when taking incredible fireworks photos is using the double-exposure trick. Instead of keeping an exposure open for an extremely long period of time, they may take one photo when fireworks are bursting, not advance the film, and then take another photo in exactly the same location when more fireworks explode. Since the background is the same, the two groups of exploding fireworks are merged in the sky, making a more impressive photo. You can do the same thing with digital photography. Ensure your digital camera is secure on a tripod and will not move when you take photos. Then, take two photographs of the exact same location when different fireworks are exploding. After the event, use your favorite photo editing software to merge the two photos together. To help ensure the ground does not get blurry, you may want to only merge the sky portion of the two photographs together. You should be able to do this by opening both photos, performing a rectangle or freeform selection on the sky of a second photo, copying that as a layer on top of the first photo, then merging the results.

Last but not least,
Make sure tripods are allowed
Tripods are not always allowed during fireworks shows, especially if you are on private property or if the crowds are so large that room is tight. For safety reasons, some festival planners may disallow tripods as they could pose a safety hazard if people are close together. Thus, make sure to check first. Or, you may want to consider other vantage points than where most people are gathering. Fireworks can be seen from a great distance, so look around for places where the crowds are not gathering yet where you can snap some nice photos.

Nikon D80

2008-04-07T16:54:00.006+07:00

The Nikon D80 inherits advanced auto focus and auto exposure performance from Nikon’s previously award winning digital SLR camera, the D200. The D80 features a new high-resolution image processing engine and a broad range of image functions that utilize the latest advancements in digital photography technologies, which in turn expand on the creative freedom of both the amateur and professional digital photographer.The Nikon D80’s exceptional combination advanced image performance, speed, and reliability, with the D80’s creative responsiveness, and efficiency will open up new horizons for focused photographers.
The Nikon's image quality is pretty impressive. Colours were accurate and neutral and the camera's meter did an excellent job of reading the scene and providing an accurate exposure. At times, mostly in extreme cases when the scene was dominated by darkness, the Matrix metering tended to preserve detail in the shadows at the expense of highlights.

Major features

Exceptional imaging quality

New 10.2 effective megapixel Nikon DX Format CCD image sensor with the power to capture exceptional sharpness and faithful colour at 3,872 x 2,592 pixels size.
Inherits the industry-leading advanced imaging processing engine of Nikon professional D-SLR cameras. Colour-independent pre-conditioning prior to A/D conversion works in harmony with high-precision digital image processing algorithms to produce natural-looking images that benefit from faithful colour and tone reproduction.
3D Colour Matrix Metering II automatic exposure control ensures ideal exposures in most lighting conditions. It evaluates brightness, colour, contrast, selected focus area and camera-to-subject distance. The system references the data against an expanded onboard database created using data from more than 30,000 actual photographic scenes to instantly and accurately calculate the final exposure value for the shot. Variable centre-weighted metering and spot metering centered on the active focus area are also available.
Refined 11-area AF system packs the same number of focus areas available for the professional D2 series into a space-efficient system that features fast, precise operation. Each of the 11 focus areas can be used individually, the centre sensor can be switched to wide-frame operation for broader coverage and new Auto-area AF mode measures all 11 focus areas. The system automatically determines which are on the primary subject and activates only those areas.
ISO AUTO mode automatically adjusts sensitivity between ISO 100 -1600 to maximize available light and achieve optimal exposure. Sensitivity can also be set manually between ISO 100 - 1600 in steps of 1/3 EV, plus HI-0.3, HI-0.7 and HI-1. Three levels of High ISO Noise Reduction are available when shooting at high ISO settings. Long Exposure Noise Reduction is also available when shooting at shutter speeds of 8 seconds or slower.

Optimized and Predictable Results

Seven automated Digital Vari-Programs are easily accessed from the Mode Dial. They provide automatic operation optimizing white balance, sharpening, tone, colour, saturation and hue for crisp and vivid results that match the intended shot. Selections include Auto, Portrait, Landscape, Close Up, Sports, Night Landscape and Night Portrait.
Easily accessed image optimization options closely tailor results to the scene at hand or the intended use of the image. Image sharpening, tone (contrast) compensation, colour mode, saturation and hue adjustment is controlled by the user-selected choice of Normal, Softer, Vivid, More vivid, Portrait, Custom and Black-and-white (with colour filter options).

Immediate response and fast performance

Near instant power-up of 0.18 seconds enables photographers respond to any shutter opportunities.
A mere 80-millisecond shutter time lag (approximate) promotes fast handling.
Swift continuous shooting performance at 3 frames per second* enables the shooting of up to 100 JPEG (FINE M-size or smaller) or up to 6 RAW (NEF) images.
Shutter speeds ranging from 1/4,000 to 30 seconds or bulb setting provide full creative control.

* Average frame rate with continuous-servo AF, manual or shutter-priority auto exposure, a shutter speed of 1/250 seconds or faster, and remaining buffer memory.

In-camera image editing and effects

Creative in-camera effects and editing functions available under the new Retouch menu:
- D-Lighting automatically brings out detail to enhance results and add creative flair, all the while optimizing overall exposure balance.
- Red-eye correction automatically detects and compensates for the annoying red-eye effect sometimes caused by flash.
- Trim can be used to produce smaller files for easy sharing or greater efficiency for specific end purposes.
- Image Overlay merges a pair of selected RAW (NEF) files taken with the D80 to create a new composite image that can be saved in RAW or JPEG format.
- Monochrome settings (Black-and-white, Sepia, Cyanotype)
- Filter Effects (Skylight, Warm filter, Colour balance)
Multiple Exposure creates a single image within the camera from up to 3 consecutive exposures to produce imaginative and even surreal results.

Ergonomics for efficient handling and further versatility

The D80 is housed in a slim, compact body with the size, layout and operation of all buttons and controls designed for intuitive operation.
A large new 2.5-inch LCD monitor with a 170˚ viewing angle and new dedicated zoom button assist accurate and easy assessment of sharpness by enabling image preview at up to 25 times magnification (for L-size images). Convenient displays include RGB information as a single histogram display or as separate histograms for each colour channel.
Built-in slideshow options include Advanced Pictmotion shows with style selections that control transitions and background music, and that can be enjoyed on the 2.5-inch LCD, or complete with audio on a television via the supplied AV cable.
The carefully chosen colour scheme and increased font size of the new colour-coded menu display makes navigation easier on the eye, easier to understand and easier to use. "My Menu" lets you customize Menus to display only the items you wish to see.
Bright pentaprism viewfinder with large 0.94x magnification ensures the clearest view possible for precise composition.
Nikon's EN-EL3e rechargeable lithium-ion battery delivers enough power to support the shooting of up to 2,700* images on a single charge. It can be recharged at any time and features a handy real-time fuel gauge system display that shows remaining charge by percentage, number of shots since last charge and overall battery status.

* Achieved under the following test conditions: Fully charged EN-EL3e battery; temperature of 20°C/68°F; Zoom-Nikkor AF-S DX 18-135mm f/3.5-4.5G IF-ED lens; continuous shooting mode: continuous-servo autofocus; image quality set to JPEG BASIC; image size set to Medium; shutter speed 1/250 second; shutter release pressed halfway for three seconds and focus cycled from infinity to minimum range three times with each shot; monitor turned on for five seconds after six shots and then turned off; cycle repeated once exposure meters turned off.

Seamless integration with Nikon’s Total Imaging System

Unprecedented compatibility with Nikon’s lineup of AF Nikkor lenses and digital-exclusive DX Nikkor lenses. (When used with the D80 or any DX Format SLR, all AF and DX Nikkor lenses have a picture angle comparable to 1.5x that of 35mm [135] format.)
Compatibility with the Nikon Creative Lighting System allows the D80 to work seamlessly with SB-800, SB-600 and SB-R200 Speedlights to deliver the benefits of i-TTL flash control’s advanced monitor pre-flash, accurate measurement for bounce and versatile wireless operation. SB-800 and SB-600 Speedlights also offer a Wide-Area AF-assist Illuminator, which aids flash photography in dim light by projecting a pattern of red light that covers all eleven autofocus areas of the D80’s 11-area Multi-CAM 1000 AF Sensor Module.
The optional MB-D80 battery pack adds extended shooting capability in an ergonomic design that adds shooting stability. Able to run on either one or two EN-EL3e batteries or six AA-size batteries*, the pack also features an additional command dial and alternative buttons for shutter release and AE-Lock/AF-Lock that make vertical shooting more comfortable.
PictureProject (complimentary with camera) software features an intuitive user interface that provides fast and easy access to powerful tools for organizing, editing and sharing images. Auto Enhance and other creative functions are readily available via handy buttons, as are Mail, Slideshow and CD/DVD burning functions. Pictures can be organized using simple drag ‘n’ drop operation, and can be quickly located by name, keyword, or date. Design templates make it easy to produce prints, tailor images to e-mail, or layout several images on a page to produce creative album layouts.
Capture NX (available for purchase separately) is Nikon’s highly versatile and elegantly simple new photo editing solution designed to help photographers tap the full potential of NEF (RAW) images. Featuring an innovative user interface that provides easier access to powerful and visually intuitive enhancement tools, Capture NX's powerful photo image processing and editing tools can also be applied to JPEG and TIFF files to satisfy a broader range of photofinishing needs and applications.

* Compatible AA-size batteries comprise alkaline, Ni-MH, lithium and nickel-manganese batteries.

Tutorial

2008-04-07T16:21:00.005+07:00

Welcome to tutorial page, here you can find some basic knowledge articles about photography, and don't get bore to come and check again cause I'll always come up with new articles also add some descriptions that easy to understood. I work alone so it could takes time to finish my job.

Canon EOS 40D

2008-04-06T21:02:00.008+07:00

Canon introduced its digital SLR for advanced amateurs and semi-professionals: the EOS 40D. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.

The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS‑1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.

“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”

Key features

10.1 Megapixel APS-C CMOS sensor
6.5 fps continuous shooting, max. burst 75 JPEGs
New AF system with 9 cross-type sensors
DIGIC III processor
3.0” LCD with Live View mode
EOS Integrated Cleaning System
Clear and bright viewfinder
Customisable Picture Style processing parameters

Speed and image quality

Canon’s third generation CMOS sensor improves on its predecessor with redesigned pixels that keep noise to a minimum. The EOS 40D maintains high image quality up to ISO 1600, expandable to H:3200 for situations where flash use is not permitted or desired. Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other light coloured objects.

The DIGIC III processor powers a burst rate of 6.5 fps, working with the image buffer to handle up to 75 Large JPEGs (17 in RAW) without pause. Images are processed at 14-bits for a greatly expanded colour depth, providing smoother gradations and exceptionally accurate colour reproduction.

New cross-type AF system

A key advancement of the EOS 40D is its new 9-point cross-type AF system. All nine AF points can achieve focus on both horizontal and vertical planes. A central AF point is capable of accurate focusing up to aperture f/2.8, with eight outer points working up to f/5.6. In response to requests, the dedicated AF Start (AF-ON) button allows photographers to execute auto focus with their thumb.

LCD with Live View mode

The Live View mode simplifies shooting from awkward angles such as ground-level macro or mounted tripod shots. The 3.0” LCD displays a real-time image in Live View mode, including a selectable grid overlay and a live histogram that simulates image exposure. The AF-ON button can be configured to flip the camera mirror momentarily and engage auto focusing. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.

Total control

The EOS 40D is fully customisable to the photographer’s shooting preferences. The mode dial contains space for three sets of user-defined settings, allowing the photographer to switch instantly between several shooting setups. A new My Menu tab provides quick access to frequently used settings, while 24 custom functions allow photographers to fine-tune camera operation and controls. The ability to change the focusing screen – with two additional screens available – adds further versatility.

For easier operation of system accessories, settings for the Speedlite 580EX II and new Wireless File Transmitter WFT-E3 can be controlled directly from the LCD.

Wireless File Transmitter WFT-E3

Also launched today is the Wireless File Transmitter WFT-E3. Built to work with the EOS 40D, the WFT-E3 enables rapid wireless image transfer to remote FTP servers, along with two-way communication through PTP and HTTP. In HTTP mode, remote users can trigger the shutter button or download images from the camera via an internet browser window. PTP mode is used for wireless remote shooting with the EOS 40D and supplied EOS Utility software.

For longer shoots, the WFT-E3 can connect directly to external hard disk drives (HDDs). And if connected to a portable GPS device, the location and time of capture is automatically added to each image as EXIF data. A convenient grip design features a main dial and shutter controls for vertical shooting, while weather resistant seals protect the unit.

Two new EF-S lenses are launched today in conjunction with the EOS 40D

EF-S 18-55mm f/3.5-5.6 IS – a high quality, affordable standard zoom lens incorporating a 4-stop Image Stabilizer
EF-S 55-250mm f/4-5.6 IS – a versatile telephoto zoom offering the longest focal range in the EF-S range to date as well as a 4-stop Image Stabilizer

Software

The EOS 40D is supplied with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control.
DPP integrates with cameras features such as Dust Delete Data and Picture Styles. Users can now also create their own custom Picture Styles with the supplied Picture Style Editor software. The camera also comes with EOS Utility, ImageBrowser/ZoomBrowser and PhotoStitch.

Guides and Tips

2008-04-06T20:34:00.013+07:00

DIGITAL CAMERA AS THE NEXT GENERATION
Since the images that a digital camera captures is in electronic form, which is called pixels, tiny colored dots represented by ones and zeros that make up the picture .........

BEFORE YOU BUY A DIGITAL CAMERA
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HOUSEKEEPING TIPS
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HOW TO FIND THE BEST DIGITAL CAMERA
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TRUSTING DIGITAL CAMERA REVIEWS
Digital camera reviews are abundant not just online but also in the newspapers, magazines and even TV shows. We often wonder .........

COLD WEATHER PHOTO SURVIVAL GUIDES
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UNDERWATER DIGITAL CAMERA
Memories are created just about anywhere. And when I say anywhere, I mean that memories are .........

DIGITAL FIREWORKS PHOTOGRAPHY TIPS
Here're some short tips to help you get the best out to take fireworks shots

PHOTOGRAPHY IN SUNLIGHT
Photography is all about light, the direction of the light falling on your subject is most important, you need to .........

LANDSCAPE PHOTOGRAPHY
Digital Landscape Photography is a broad and varied subject matter, with a huge spectrum of possible interest areas .........

SHUTTER COUNTER ON OLYMPUS E-500
How to see the shutter counter.........

Sony Cyber-Shot DSC W300

2008-04-05T15:04:00.010+07:00

Announced 25 February 2008
For anyone worrrying that the megapixel race was starting to run out of steam Sony has raced ahead with the annoucement of a 13.6 megapixel compact digital camera, the Cyber-Shot DSC W300. The titanium-clad W300 also boasts a 2.7" LCD screen, HDTV output and all Sony's clever new 'intelligent' technologies, such as 'Smile Shutter' and DRO.

Sony’s new Cyber-shot® DSC-W300 digital camera is expected to be among the industry’s most pocket-able, high-resolution point-and-shoot digital cameras featuring niche performance options.

The camera announced today integrates an ultra-high 13.6-megapixel CCD imager along with a Carl Zeiss® Vario-Tessar 3x optical zoom lens, a 2.7-inch LCD screen and an eye-level viewfinder in a compact size. With its ultra-hard titanium coating, the model offers a premium look and finish that is highly-resistant to scratches and messy fingerprints.

Enhanced Operation for Better Performance
The W300 camera newly features an “extra high-speed” burst mode that can shoot three-megapixel photos at five frames per second, ideal for fast-action shooting of sports, pets or children.

In addition to the blur-reducing effects of Super SteadyShot® optical image stabilization, the camera also has a new “extra high sensitivity” mode (up to ISO 6400 in this mode only) to help minimize blurry photos when shooting in challenging lighting conditions, such as indoors or at twilight, even without a flash.

Noise reduction is now a user-selectable option, with high, low and standard settings, for greater control over the final look of images. For example, a low setting can help reduce noise without sacrificing resolution, making it ideal for landscapes and detailed subjects.

Smart Technology to Capture Better Photos Automatically
As the top-of-the-line model in the series, the W300 camera integrates the latest “intelligent” features that help users take better pictures more easily.

Sony’s Smile Shutter™ technology prioritizes the faces of children or adults so that the camera takes the photo at the moment the intended subject smiles. Improved face detection technology can also prioritize child or adult faces as the basis for the camera to apply focus, exposure, white balance and flash color controls for up to eight faces in the camera’s frame.

The model’s intelligent scene recognition technology automatically can detect five different types of scenes and optimize the camera settings for those conditions for a better photo. And advanced mode can take two shots almost immediately – one with standard automatic settings and the other with optimized settings.

Powerful Features for Outstanding Images
The W300 model has a number of features to maximize picture quality. Among them are five color modes, including “real” for less in-camera processing and more faithful color reproduction; 12 scene selection modes with a new “underwater” mode that adjusts white balance for more natural-looking photos; Sony’s new D-Range Optimizer Plus that process picture to improve detail in photos with harsh highlights or dark shadows; and an improved auto focus system that includes macro ranges.

Viewing and image management has also been enhanced with helpful date and calendar views, in-camera search by face or date, slide show with longer music files, and high-definition component output for viewing photos on a compatible HDTV set.

Price and Availability
The DSC-W300 camera and optional accessories will be available in May for about $350. All can be purchased online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.

Olympus Stylus SW series (1030SW & 850SW)

2008-04-05T14:47:00.005+07:00

Announced 22 January 2008
Olympus announced two new models in its 'heavy duty' Stylus SW series. SW range cameras are (within limits) shock- and water proof and generally well known for their ruggedness. The 1030SW sports a 10MP sensor and comes with a 3.6x (28-102mm equiv.) zoom lens, the 850SW features an 8MP imaging sensor and a 3x (38-114mm equiv.) zoom. Both cameras will be available from February.

two bar-raising additions join the highly-successful Olympus shock and waterproof line-up this season. Both the Olympus µ [mju:] 1030 SW and µ [mju:] 850 SW are remarkably tough, offering protection against falls, water immersion and the freezing cold. They are the ideal choice for great image results no matter the intended photographic terrain.

They will be available from February 2008 at recommended prices of £319.99 for the µ [mju:] 1030 SW and £229.99 for the µ [mju:] 850 SW.

Building on the tough reputation of their predecessors – including the TIPA Award-winning µ [mju:] 770 SW – the new µ [mju:] 1030 SW and µ [mju:] 850 SW set you up for adventure. Drop them in a muddy puddle on a hike through the mountains and don’t worry: simply wash the mud off in the next stream and keep shooting. Adventure is really yours for the taking. Go for dives in lakes or the sea and capture the wonders under the water’s surface, or take to the snow and immortalise those sub-zero moments. Whatever your lifestyle, these extraordinary, chic models take it all. Despite their tough attributes, image quality doesn’t take a back seat. Precision Olympus optics deliver true-to-life results, while integrated cutting-edge technologies provide intelligent solutions to ensure the flawless reproduction of subjects. In addition, a choice of several striking colours serves to further brighten the photo-taking experience.

The Olympus µ [mju:] 1030 SW
There’s no other camera like it. The Olympus µ [mju:] 1030 SW is waterproof to a depth of 10m, shockproof against falls to 2m, freezeproof to temperatures as low as -10°C and crushproof to weights of up to 100kg. And now, its stylish metal exterior – which is available in a choice of three colours (Platinum Silver, Midnight Black and British Green) – is also scratchproof. But this model isn’t only tough and good-looking; its great image results also make it a delight to have with you at all times. The incorporation of a 3.6x wide zoom (28-102mm on a 35mm camera) provides plenty of flexibility when it comes to framing: get more of the family into a group photo, or zoom in close from afar for candid shots. A 10.1 Megapixel sensor provides plenty of image detail, giving users the flexibility to crop shots later on a computer and still retain high quality. Meanwhile, an extra-large 2.7”/6.9cm HyperCrystal II LCD boasts a wider viewing angle as well as improved views – even in bright sunlight. In addition, Digital Image Stabilisation reduces blur caused by shakes. A new battery (LI-50B) provides more power so shooting can go on for longer.

The Olympus µ [mju:] 850 SW
Sporting a sleek metal body in a choice of Starry Silver, Midnight Black or Metal Pink, the Olympus µ [mju:] 850 SW brings the durability of the shockproof, waterproof line-up to everyone. Waterproof to 3m, shockproof to 1.5m, and freezeproof to -10°C, this camera is ready for the bumps and bangs of everyday life. In conjunction with its tough exterior, the µ [mju:] 850 SW boasts a hearty 8.0 Megapixels to guarantee the flawless capture of every detail. Digital Image Stabilisation is also on board to reduce blur. For framing flexibility, a 3x optical zoom (equivalent to 38-114mm on a 35mm camera) gets you in close, and the large 2.5”/6.4cm LCD makes it easy to quickly preview and review shots. In addition, an LED Macro Illuminator is available for enhancing shots of close-up subjects during macro photography.

All-round quality
Both the µ [mju:] 1030 SW and µ [mju:] 850 SW incorporate Face Detection Technology for the optimal exposure and focus of human subjects. Shadowy compositions are no longer a problem either, thanks to inclusion of Shadow Adjustment Technology. And with BrightCapture Technology, low-light shooting is significantly improved. The integrated TruePic III image processor works to enhance not only speed, but also colour reproduction and noise suppression for more realistic images. And for additional operating ease, Olympus has raised the number of languages on board to an incredible 38. Furthermore, the underwater cases PT-043 and PT-041 are optionally available for the µ [mju:] 1030 SW and the µ [mju:] 850 SW respectively for additional fun up to 40m below the water’s surface.

The ultra-tough µ [mju:] 1030 SW and µ [mju:] 850 SW are the perfect companions for fun and outdoor adventure, and will be available from February 2008.

Main features:

µ [mju:] 1030 SW

Exciting shots in and by the pool and water as waterproof to 10m*
Take it anywhere, anytime as shockproof up to 2.0m**
Crushproof 100kg***
10.1 Megapixels to make poster-size prints
3.6x wide optical zoom (28-102mm****) for stunning close-ups
6.9cm/2.7" HyperCrystal II LCD with a bright display even in brilliant sunlight and at extreme angles (230,000 dots)
Scratchproof metal body in 3 colours: Platinum Silver, Midnight Black and British Green
Underwater shooting up to a water pressure equivalent of 40m possible in combination with optional underwater case PT-043

µ [mju:] 850 SW

Exciting shots in and by the water as waterproof to 3m*
Take it anywhere, anytime as shockproof up to 1.5m**
6.4cm/2.5" HyperCrystal LCD with a bright display even in brilliant sunlight
8.0 Megapixels to make poster-size prints
3x optical zoom (38-114mm****) for stunning portraits
Sleek metal body in 5 colours: Starry Silver, Midnight Black
or Metal Pink
Underwater shooting up to a water pressure equivalent of 40m possible in combination with optional underwater case PT-041

Common features of the µ [mju:] 1030 SW and µ [mju:] 850 SW

Face Detection Technology for perfectly focused and exposed faces plus correct exposure of other image areas
Digital Image Stabilisation for less blur
Better low light shooting thanks to BrightCapture Technology
Best companion also in winter as freezeproof
24 scene modes for the best results in different situations
Liven up your memories with movie recording with sound (up to VGA resolution at 30fps)
TruePic III image processor for faster image handling and higher image quality

Nikon COOLPIX P60

2008-04-05T14:32:00.008+07:00

Announced 29 January 2008
The Nikon Coolpix P50 intrigued with it's combination of (relatively) low price, 'mini P5100' styling and 28mm wideangle lens. The 8 megapixel P60 is no less alluring but for different reasons; for a start the wide lens is gone, replaced with a 5x 36-180mm equiv. unit backed up by sensor shift stabilization. Then there is something we don't see very often in non-superzoom compacts - an electronic viewfinder. A (decent) EVF is arguably better than the rather crummy optical viewfinders usually seen in mid-range compacts, at the very least in terms of accurate framing. Of course, Any type of viewfinder is preferable than trying to compose on a sun-splashed LCD. More after the click.

Nikon Corporation is pleased to announce the introduction of the COOLPIX P60. Delivering reliability and familiarity within its orthodox design, the COOLPIX P60 satisfies the traditional camera enthusiast. Built on a custom application of Nikon's innovative EXPEED digital image processing concept and incorporating the precision optics of a NIKKOR lens, the COOLPIX P60 realizes optimum performance and maximum image quality.

An impressive effective megapixel count of 8.1 enhances the potential of the high performance digital image-processing engine for outstanding image quality, while an improved 5x Zoom-NIKKOR lens delivers yet more flexibility by ably covering a range from panoramic landscapes to close-up portraits.

Image sensor shift VR (Vibration Reduction) image stabilization compensates for camera shake or movement by unsteady subjects to realize yet sharper results. And extended light sensitivity up to ISO 2000 further helps prevent blurred shots in lower light, or when capturing fast-moving subjects. The COOLPIX P60 also offers Programmed Auto [P] and Manual [M] exposure modes, enabling the user to enjoy shooting in a variety of styles.

A functional body design with a defined grip for secure finger placement allows for intuitive operation including the use of the Mode dial. Compositional versatility, even in bright sunlight, is achieved thanks to its electronic viewfinder and a 2.5-inch LCD monitor.

Power is supplied by readily available AA-size batteries, which means the COOLPIX P60 can be used in virtually any location without worrying about recharging or running out of power.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon COOLPIX P60 Feature Highlights

Intuitive access to a wealth of practical shooting modes
The handy Mode dial includes settings for two exposure modes that provide greater personal control over camera operation. Programmed Auto [P] mode automatically selects the optimal shutter and aperture settings, while Manual [M] exposure mode provides full control over both the aperture and shutter speed settings. In addition, the COOLPIX P60 is equipped with a selection of 15 scene-optimized modes and four different movie modes.

Image sensor shift VR image stabilization for sharp images
The COOLPIX P60 features the image stabilizing performance of image sensor shift VR capability. The system applies in-camera image processing to help overcome the effects of camera shake and produce satisfyingly crisp results, while also contributing to a reassuring shooting experience.

ISO 2000 capability for better pictures in lower light
With an extended light sensitivity range from ISO 80 all the way up to ISO 2000, the COOLPIX P60 makes it easier to take great-looking pictures in lower lighting conditions, or to capture fast moving subjects with impressive clarity.

AA-size batteries for shoot-anywhere convenience
Experience the convenience of an AA-size battery compatible compact digital camera. Thanks to the advantage of being able to pick up a new set of batteries in virtually any corner of the world, users can shoot with reassurance, free of any worries about recharging batteries or running out of power when a special shutter chance arises

Nikon COOLPIX P60 Other Features

Three Unique Nikon Image Innovations
– Face-priority AF, In-Camera Red-Eye Fix, D-Lighting
Macro shooting from as close as 10 cm (4 in.)
4x digital zoom extends compositional freedom
Time zone function for easy setting of multiple locations
SDHC card compatibility
Approx. 12 MB of internal memory
USB connectivity
PictBridge support

Nikon COOLPIX S600

2008-04-05T14:21:00.008+07:00

Announced 29 January 2008
Nikon has announced another model in its S-series of ultra compact digital cameras. The S600 sports a 10MP sensor and a 4 times stabilized Nikkor zoom lens with a 35mm equivalent zoom range of 28-112mm, all wrapped up in an attractive metal body. The camera is expected to hit the shelves in April.

Nikon UK is pleased to announce the introduction of the COOLPIX S600, a stylish new camera that combines swift start-up time, advanced functions and outstanding photographic performance into the world’s most compact body*. Built on a custom application of Nikon's innovative EXPEED digital image processing concept and incorporating the precision optics of a NIKKOR lens, the COOLPIX S600 offers the added pleasure of sophisticated design.

The 10 megapixel COOLPIX S600 boasts ultra-swift response, and maintains image clarity even at sensitivity settings as high as ISO 3200. A 4x Zoom-NIKKOR lens featuring Nikon's optical lens shift VR image stabilisation enhances compositional freedom with 28mm wide-angle capability (35mm format equivalent) and has the range to cover scenes from panoramic landscapes to close-up portraits.

The COOLPIX S600 delivers high-speed auto focus performance and the world’s fastest start-up time*1, 2 within 0.7 seconds. The clean lines, solid feel and reassuringly firm hold of its metallic body demonstrate dedication to quality materials and fine craftsmanship. Large buttons and the user-friendly rotary multi-selector are also carefully positioned to provide intuitive operation, whilst the clear, bright image offered by large 2.7-inch LCD monitor makes it a pleasure to use. The COOLPIX S600 will be available in a choice of Titanium Silver, or Urban Black body colours. (Colour availability may vary according to region.)

*1 Among compact digital cameras equipped with 28mm (35mm format equivalent) zoom lens and optical vibration reduction as of January 29, 2008 (according to research conducted by NIKON CORPORATION).
*2 Based on CIPA industry standard.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon COOLPIX S600 Feature Highlights

Proven lens shift VR image stabilisation for sharper results
Optical lens shift VR (Vibration Reduction) image stabilisation helps achieve sharper results by applying field proven technology originally developed for Nikon SLR camera lenses to counteract camera shake in lower light or when shooting moving subjects. Active full time, VR also stabilises images displayed on the 2.7-inch high-resolution LCD monitor for easier framing and more reassured shooting.

ISO 3200 capability provides extended shooting range
Extended light sensitivity range with manual settings up to ISO 3200 adds the power to shoot more effectively in lower lighting conditions, or to capture moving subjects with outstanding clarity. Automatic sensitivity control is also available, freeing you to concentrate on the shot while the camera selects the optimal setting across a range between ISO 100 and ISO 800.

Large 2.7-inch LCD monitor for quality viewing and easier menu operation
Practically defying the COOLPIX S600’s compact body proportions is a high quality 2.7-inch LCD monitor with improved shooting displays and revised icons. Features include approx. 230k-dots of high resolution and a wide 160-degree horizontal and vertical viewing angle.

New Active Child mode for carefree shooting with beautiful results
Active Child mode joins the lineup of 14 different scene modes and three movie modes tuned to produce the best results to match the moment. In Active Child mode, simply frame and select your subject before shooting. The camera then tracks and focuses on that moving subject as you shoot for faster, more reassuring operation with clearer results.

Nikon COOLPIX S600 Other Features

Three Unique Nikon Image Innovations
– Face-priority AF, In-Camera Red-Eye Fix, D-Lighting
Active Zoom allows smoother zooming for close-ups
New Pastel mode produces bright images with a watercolour effect
Macro shooting from as close as 3 cm (1.2 in.)
Time zone function for easy setting of multiple locations
SDHC card compatibility
Approx. 45 MB of internal memory
USB connectivity
PictBridge support

Canon Powershot A470, A580 ,A590is and IXUS 80

2008-04-05T13:30:00.014+07:00

Announce 24 January 2008
Canon's Powershot A-Series of digital compacts today swelled with the addition of three new models featuring brand new technology for 2008. The A470 is a $149 7.1 megapixel, 3.4x zoom entry-level digicam whilst the $179 A580 and $199 A590is (basically the same camera with lens-shift stabilization) pack 8.0 megapixels and 4x optics with the practical, ergonomic body shape we've come to expect from a Canon 'A'. The Powershot A470, A580 and A590is should be in stores from late February /early March.

Canon announces the launch of four new compact cameras with powerful new features that say bye-bye to blur and offer enhanced point-and-shoot capability. The cameras include brand-new blur-reducing Motion Detection Technology, plus new technology evolutions. Canon’s Face Detection Technology now features Face Detection White Balance, and Red-Eye Correction, can now remove red-eye automatically as the user shoots. Each camera also has a Face Select & Track function. The Digital IXUS 80 IS and PowerShot A590 IS include Canon’s leading lens-shift optical Image Stabilizer lens for additional blur reduction and low-light shooting capability.

From the ultra-stylish colour variations of the Digital IXUS 80 IS, to the expandable functionality of the PowerShot A590 IS, the emphasis on this new batch of Canon digital compacts is on taking the hassle out of everyday image-making, while providing Canon’s hallmark design and manufacturing excellence.

“Canon leads the field in image quality because it relies on intelligent solutions, not quick fixes,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “Every camera released today incorporates class-leading features to combat common problems like camera shake and subject blur, without sacrificing overall image quality.”

The four new cameras are:

Digital IXUS 80 IS – a compact, curved design in four attractive colour variations (Classic Silver, Candy Pink, Chocolate, Caramel), 8.0 Megapixels, 3x zoom with optical Image Stabilizer and 2.5” high resolution PureColor LCD II
PowerShot A590 IS – 8.0 Megapixels, 4x zoom with optical Image Stabilizer, new Easy mode and full Manual control, range of optional lens accessories, 2.5” LCD and optical viewfinder
PowerShot A580 – 8.0 Megapixels, 4x zoom, 2.5” LCD and optical viewfinder, plus new Easy mode
PowerShot A470 – 7.1 Megapixels, 3.4x zoom, 2.5” LCD and four colour variations (Red, Blue, Green, Silver)

Ultimate blur solution
With new Motion Detection Technology and the optical Image Stabilizer lens, Canon provides a comprehensive and intelligent solution to blur. Activated in High ISO Auto mode, Motion Detection Technology takes information from multiple sources – Face Detection Technology, scene brightness, subject movement and the optical Image Stabilizer (where available) – to assess camera or subject movement. It then calculates the minimum boost in ISO levels (between ISO 80-800) necessary to compensate for that motion. The wide range of inputs and precision of the Motion Detection algorithms ensure that Canon’s system avoids trading reduced blur for an unnecessary increase in image noise.

The lens-shift type optical Image Stabilizer lens found in the Digital IXUS 80 IS and PowerShot A590 IS also contributes to low-noise images. It uses a moveable lens element – rather than a boost in ISO – to counteract the effects of camera-shake, with no accompanying increase in noise. This makes cameras with IS and Motion Detection Technology doubly effective against blur: Motion Detection Technology takes IS into account when calculating ISO levels, thus increasing image quality even further.

Exceptional Face Detection Technology
Face Detection White Balance and Face Select & Track are included in all four models, enhancing portraits and people shots taken in a wide range of situations. Face Detection White Balance sets the white balance for the face detection frame, in addition to the focus, exposure and flash set by previous versions of Face Detection. The result is portraits with natural skin tones, in all environments whether lit by artificial, natural, or mixed light sources. Face Select & Track follows a user-selected face around the frame, ensuring that the best results are achieved at the moment the photographer shoots.
Red-Eye Correction is enhanced for 2008. In addition to Red-Eye Correction in playback, each of the models now features automatic Red-Eye Correction in shooting. Auto Red-Eye Correction detects and removes red-eye as the user shoots, for natural, red-eye free images.

Enhanced Auto Focus
New AF Point Zoom allows the photographer to magnify the AF frame when the shutter button is pressed half way, so that facial expressions can be checked before shooting. AF performance in low light has been significantly improved to achieve focus in scenes at around one stop darker, so that users can now take excellent shots in low-light conditions where they would have been unobtainable before.

Links

2008-04-04T21:29:00.008+07:00

Here are some usefull Links to increase your knowledge about digital photography

http://www.geofflawrence.com/index.htm
http://www.dcviews.com/
http://www.photographytips.com/
http://www.focusfoto.net/
http://www.your-digital-photography.com/
http://www.digital-photography-tips.net/
http://www.raym.deds.nl/indexeng.html
http://www.hickerphoto.com/
http://www.myjanee.com/index.html
http://www.livingroom.org.au/photolog/
http://link2me.com/
http://www.e-beautywallpaper.com/
http://www.shoot-the-moon.co.uk/
http://www.digital-photo-secrets.net/
http://www.about.com
http://www.dpreview.com/
http://www.your-digital-photography.com/

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Digital Camera New Release

2008-04-03T22:28:00.009+07:00

Welcome to the Digital camera New realese Area.The brand new releases, such as Canon, Nikon, Sony and Olympus. So be sure to come back and visit my site again and again soon!

D-SLR New Release:
Olympus E420

Nikon D60

Canon Eos 450D(Rebel XSi)

Sony Alpha 300 and A350

Compact Digital New Release
Olympus Stylus SW series (1030 SW & 850 SW)

Nikon Coolpix S600

Nikon Coolpix P60

Nikon Coolpix P80

Nikon S52 and S52c

Sony Cybershot DSC-W300

Canon Powershot A470/A580/A590is & Ixus 80

Olympus E-420

2008-04-03T20:47:00.008+07:00

Announced 5 March 2008

Camera contraction continues as Olympus announces its latest baby DSLR, the E420 and a compact lens to combine with it. The E420 is a 10 megapixel digital camera featuring the now-widespread Live View feature that Olympus pioneered. Alongside the diminutive DLSR is the equally bijou 25mm f2.8 pancake lens, creating a near pocket-sized combo. Updated: now with 25mm lens specifications.

Olympus today announces the extremely portable E-420 – perfect for everyone who wants to step up to the power and performance of a digital SLR (single lens reflex) yet enjoy the ease of use and ability to compose images on the LCD common to point-and-shoot cameras. Weighing a mere 380 grams (13.4 ounces), the E-420 is 20 to 40 percent lighter than competing DSLRs.
Good things come in this small package, including Live View,which enables users to hold the camera away from their faces and interact with their subjects – ideal when capturing photos of children, for example.This lightweight 10-megapixel DSLR offers heavyweight technologies, including a bigger, moreviewable 2.7-inch LCD and consumer-friendly fast On-Screen Autofocus, Face Detection, Shadow

Adjustment Technology and Perfect Shot Preview to get the most out of the Live View experience. Additionally, when it comes to Live View, not all LCDs are created equal. At 2.7 inches, the portable E-420 LCD is large enough for users to compose and review images without squinting. The small camera’s LCD is not just larger, it is part of a camera with technologies intelligent enough to take advantage of the Live View photography experience.

These innovative technologies include:
• On-Screen Autofocus works as seamlessly as a point-and-shoot to display subjects in focus on the LCD the instant the shutter is pressed half way;
• Face Detection Technology targets and locks on up to eight faces to ensure they are in focus and crystal clear for amazing portraits;
• New and Improved HyperCrystal II™ Technology delivers twice the contrast and better viewing in extreme lighting conditions, a broader range of color detail, and a wider angle of view on the LCD so you and your friends can see it up to 176 degrees off-center;
• Shadow Adjustment Technology captures detail in the bright areas of a frame and opens up detail in the shadows that other cameras would render too dark or underexposed; and
• Perfect Shot Preview enables you to view and select your favorite effect right on the LCD, and see how the image will look before you even capture it, so you know that what you see is what you get.
“The Olympus E-420 delivers the professional-grade image quality of a digital SLR with the simple operation of a point-and-shoot camera,” said John Knaur, senior marketing manager -DSLR, Olympus Imaging America Inc.“Thanks to the camera’s small size and lightweight body,users can take the E-420 everywhere, and they will never miss another shot because the of the camera’s straightforward controls. Additionally, our innovative technologies help consumers get more from Live View.”

World’s Smallest Digital SLR
A camera designed to be held away from the face lets you take great photographs without weighing you down. The E-420 is small enough to fit into a purse or a jacket pocket and light enough to shoot with comfortably all day.
Measuring 5.1 inches by 3.6 inches by 2.1 inches (excluding protrusions),it is the world’s smallest digital SLR.And at a featherweight 13.4 ounces, only its predecessor (E-410) weighs less. The E-420’s new ergonomic grip on the front of the body allows for easier one-handed operation and ensures a secure hold in the most challenging shooting conditions.
One of the World’s Thinnest Lenses Meets the World’s Most Compact DSLR The world’s smallest DSLR deserves a similarly compact lens, and Olympus has it: the ultra compact Zuiko 25mm f2.8 digital specific lens. This 0.9 inch-thick lens offers a fixed 50mm equivalent angle of view. Together with the E-420, the Zuiko 25mm f2.8 lens will offer the ultimate combination of ease of use and portability.
Photographers can also purchase the E-420 in a kit with a compact, Zuiko Digital 28-84mm equivalent (ED 14-42mm Four Thirds) f3.5-f5.6 lens that perfectly matches the imager so light strikes the sensor directly to ensure rich, accurate colors and edge-to-edge sharpness. Both lenses (Zuiko 25mm f2.8 and 28-84mm f3.5-f5.6) are part Olympus’ expanding line of 100 percent digital lenses – designed specifically for digital photography. Unlike other camera companies, Olympus does not rely on old film lenses, which often result in images with soft edges or other imperfections.

The Live View Experience
Olympus was the first to bring Live View to a consumer DSLR (the E-330 in 2006), and Live View has revolutionized DSLR photography. Anyone who has photographed young children knows that you get the best reactions when you hold the camera away from your face and maintain eye contact and an engaging smile. If you have tried to take photos high above the heads in a crowd or low near the ground, you will appreciate that it is easier to use a swivel LCD screen than to climb a ladder or lie on your stomach.
The E-420 solves these problems with its Live View LCD, which enables photographers to hold the camera away from their faces and at angles they just cannot reach by using the optical viewfinder alone. The E-420’s new Live View autofocus functionality now simplifies the process by working just like a point and shoot. By simply pressing the shutter button halfway, your subjects come into focus on the LCD, so when the perfect moment occurs it is easy to capture sharp images.
A viewable LCD is where a great Live View experience begins. Few things are more annoying for a photographer than squinting to see an image on an LCD screen in bright sunlight or a dimly lit room. The E-420 solves this problem with its large,bright 2.7-inch LCD display that incorporates new HyperCrystal II technology. This display offers twice the contrast for better viewing in extreme light conditions (i.e. when the sun is at your back), a broader color gamut that displays a greater range of color detail, and a 176-degree viewing angle.

Always Find a Face in the Crowd
A camera this consumer-friendly is perfect for taking portraits of friends and family while out and about. The E-420’s Face Detection feature distinguishes between people’s faces and the background. It tracks up to eight faces within the image area and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures. Even if your subjects are moving, the camera continuously tracks their faces.

Bright Day or Deep Shadow, Never Miss a Detail
Shooting scenes with shadows can be tricky because of the extreme contrast between dark and bright areas. The E-420 addresses this challenge with Shadow Adjustment Technology that compensates for extreme contrast when shadow areas are underexposed and lack visible detail. Now users can preview and capture images with the same fine contrast they see with their own eyes.

Preview All the Possibilities
With 18 pre-set scene-select modes for every imaginable shooting scenario and full manual controls, the E-420 offers a world of possibilities to photographers. Additionally, Perfect Shot Preview enables users to preview and select various photographic effects on a live, multi-window screen on the LCD before snapping the shot. This feature shows photographers what their images will look like beforehand under various settings, ensuring that they capture exactly what they want. It is an ideal way for novice users to learn about the effects of different photography techniques, such as exposure compensation, white balance and metering.

Enlarge Your Photos
Capturing, enlarging and displaying amazing images on your wall is a snap thanks to the E-420’s 10 million pixels for high-resolution photos. The 10-megapixel sensor gives users the flexibility to enlarge prints to the sizes supported by many of today’s printers, or crop the image to print only a part of the image that is important to them. The high-performance Live MOS image sensor in the E-420 delivers excellent dynamic range for accurate color fidelity and a new state-of-the-art amplifier circuit dramatically reduces noise and captures fine image details in the highlight and shadow areas.

Improved Auto White Balance
Many digital SLR users want to focus their attention on things other than white balance while they are on the move. As a result, the E-420 features an improved automatic white balance performance with a new algorithm for more accurate color.

TruePic III for Image Clarity & Speed
Olympus’ TruePic III Image Processor produces crystal clear photos using all the pixel information for each image to provide the best digital images possible for every photo with accurate color, true-to-life flesh tones, brilliant blue skies and precise tonal representation in between. TruePic III also lowers image noise by one step to reduce graininess in images shot at higher ISO settings, enabling great results in low-light situations.Worried about missing the winning goal at the soccer game? The image processor on the E-420 enables it to shoot up to 3.5 frames per second in sequenced shooting mode, which means that photographers will be able to capture fast-paced action as it happens.

Dust Reduction System for Spot-Free Images
Life moves too fast to spend time worrying about dust ruining your images. Olympus’ proven
Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter™.
The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside.

Media Versatility
Accepting both CompactFlash Type I & II, Microdrives, and xD-Picture Cards, the E-420 provides a choice of data storage options for enhanced flexibility, and it is possible to transfer image files from one card to the other right inside the camera.

Wireless Flash Capability
If you decide to venture into the arena of advanced lighting, the E-420 is ready to meet the challenge. The E-420 is compatible with the Olympus FL-50R and FL-36R wireless electronic flashes that are designed exclusively for digital photography. When these flashes are used in combination with the E-420, wireless multi-flash photography is possible. The E-420 can control up to three wireless flash groups independently, with several flash units per group.

Availability
The Olympus E-420 Digital SLR will be available in May 2008. It includes: E-420 Body, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS Master Software CD-ROM, Manuals and Warranty Card.

Nikon D60

2008-04-03T20:30:00.008+07:00

Announced 29 January 2008

Nikon has announced its latest consumer-level DSLR, the D60. It's a 10.2MP digital camera that will look and feel remarkably familiar to users of the D40X. It includes an anti-dust system that incorporates a self-cleaning sensor unit that shakes off dust, coupled with an airflow system designed to channel dust away from the sensor. The model also adds active d-lighting, a stop-motion recording mode and Expeed branding.Nikon Europe today announced the debut of the Nikon D60, a digital SLR designed for the consumer who wants to combine top technology with user-friendliness and creative features. The D60 provides a resolution of 10.2 effective megapixels, Nikon’s exclusive EXPEED image-processing concept, in-camera editing functions and a 3-area auto focus system. The camera offers continuous shooting at 3.0 fps, near instant power-up in just 0.19 seconds and high ISO sensitivity, all in a compact, lightweight body with a user-friendly ergonomic design.

The Nikon D60 is designed to simplify camera operation and allow the photographer to concentrate on taking pictures. The camera’s simple, user-friendly design includes a reduced
number of buttons and a combined monitor and information display. A 2.5-inch LCD screen
presents information using an easy to understand graphic user interface, with three types of presentation style to suit all users. The symbols and numbers in the display rotate through 90 degrees, presenting information in the correct orientation according to how the camera is being held. The D60 also includes a new feature that turns off the LCD monitor screen automatically when the viewfinder is in use.The D60 utilizes Nikon’s exclusive EXPEED technology to maximize image quality and processing speed. The camera also offers creative features that are designed to allow the optimisation and adjustment of images without the need for a computer. Image optimisation is achieved through functions like Active D-Lighting (which compensates for strong shadows), and the automatic correction of false eye colour when using the built-in flash. Creative features include the automated creation of stop-motion animation files from a sequence of images, and effects that simulate the use of optical filters to produce colour shading and sparkling highlights. To combat the dust that can be introduced into the camera body when changing lenses, , the D60 includes an integrated dust reduction system. Nikon’s exclusive Airflow Control System channels dust out of the image path and a vibrating, self-cleaning sensor unit shakes off any remaining dust from the camera’s optics.

The Nikon D60 standard kit comes with a high-performance VR-NIKKOR lens, the AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR. Compact and lightweight, the lens offers 3x zoom with a versatile focal length range of 27mm to 82.5mm (35mm-format equivalent). Nikon’s advanced Vibration Reduction technology combats the effect of camera shake, allowing the use of shutter speeds that are up to three times slower than is practical with non-VR lenses. And with its sophisticated, leather-toned design, the lens looks as good as the pictures it takes. “The D60 is intended to put high quality photography within the reach of ordinary consumers.” said Toru Uematsu, Manager Prosumer Products at Nikon Europe B.V “The combination of precision technology and carefree convenience places the D60 in a unique position of offering compact camera users the chance to move up to digital SLR with ease and security.”

The D60 is capable of use in a range of lighting conditions due to a wide sensitivity range of ISO 100 to ISO 1600 and offers vivid colour reproduction with clear, sharp results.. For convenient use in places where flash photography is not allowed, the camera will set the sensitivity automatically for the best results . The camera’s built-in Speedlight produces excellent balanced results thanks to Nikon’s sophisticated i-TTL flash system, and also allows the use of additional remote-controlled Speedlights.
Storing images on highly-compact SD memory cards (compatible with SDHC), the D60 body measures approximately 126 (W) x 94 (H) x 64 (D) mm and weighs 495 grams. Supplied accessories include a rechargeable Li-ion battery, quick charger, USB cable, rubber eyecup, camera strap, body cap, eyepiece cap and accessory shoe cap. The provided software includes the Nikon Software Suite on CD-ROM. Software for photofinishing and camera remote control may be purchased separately as an option. Suggested retail pricing for the D60 Kit with AF-S DX Nikkor 18-55mm f/3.5-5.6G VR is €699. Other kits are available.

Nikon D60 key features

10 megapixel DX format CCD (1.5x FOV crop)
Nikon EXPEED processing 'concept' (as per D300, D3)
3D Color Matrix Metering II, 420 pixel sensor
Multi-CAM530 three area AF sensor
New Image sensor cleaning system
Eye sensor (turns off LCD display)
ISO sensitivity range 100 - 1600 plus HI 1 (3200 equiv.)
3.0 fps continuous shooting*, unlimited in JPEG
No status LCD, LCD monitor based status / settings screens (now rotates)
Help suggestions on LCD monitor (eg. scene too dark, try using flash)
Large 2.5" 230,000 pixel LCD monitor
Short shutter lag and viewfinder blackout
Support for SDHC (SD cards over 2 GB in capacity)
In-camera retouching
- Quick Retouch
- D-Lighting (shadow / highlight enhancement)
- Red-eye reduction
- Trimming
- Monochrome
- Filter effects
- Small picture
- Image overlay
- Raw processing
- Stop-motion movie
USB 2.0 with PTP and Mass Storage device support
Very compact, light body
Improved menu user interface
EN-EL9 Lithium-Ion battery (7.2V, 1000 mAh)
New stabilized AF-S DX 18-55 mm kit lens

Differences compared to the D40X

EXPEED processing
Image sensor cleaning system with Airflow control system
Automatically rotating user interface (for using camera vertically orientated)
Stop motion movie function
New stabilized kit lens (AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR)
Eye sensor
Electronic 'rangefinder' for manual focus
Active D-Lighting with dedicated button
In-camera Raw processing
New JPEG retouch effects (Cross Star and Color Intensifier)

* Slower with noise reduction enabled

Canon EOS 450D (Digital Rebel XSi)

2008-04-03T20:07:00.011+07:00

Announced 24 January 2008

Canon has announced a new compact digital SLR, the twelve megapixel EOS 450D (Digital Rebel
XSi). On the surface a very similar camera to the EOS 400D, however there are a range of significant improvements; twelve megapixel CMOS sensor, 3.0" LCD monitor, Live View with both AF modes (contrast-detect and passive), 14-bit processing and RAW, spot metering, improved
AF, 3.5 fps continuous shooting, a larger viewfinder, SD/SDHC storage and a new higher capacity battery. All in all a fairly impressive range of usage oriented improvements and refinements.Canon launches its latest D-SLR, the EOS 450D. Featuring a 12.2 Megapixel CMOS sensor, EOS
Integrated Cleaning System, 3.0” LCD with Live View mode and a new 9-point AF system, the
model presents consumers with an unprecedented level of image quality and versatility at this end of the market.The EOS 450D employs features already proven in Canon’s professional EOS-1 series cameras,
including the DIGIC III image processor and a redesigned menu system that enables features such as direct control of Speedlite flash units from the camera LCD. A choice of 13 custom functions allows the photographer to customise the camera to their shooting style.“The EOS 450D bears the fruits of more than 20 years of ongoing investment into EOS,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “This camera continues Canon’s policy of taking technologies proven in the professional arena and putting them within reach of a wider market of amateur photographers.”

The EOS 450D features:

* 12.2 Megapixel CMOS sensor
* Canon’s EOS Integrated Cleaning System
* 3.5 frames per second
* 3.0” LCD with Live View shooting
* 9-point wide-area AF system with f/2.8 cross-type centre point
* Picture Style image processing parameters
* DIGIC III image processor
* Digital Photo Professional RAW processing software1
* Compact and Lightweight body
* Fully compatible with all Canon EF and EF-S lenses and EX-series Speedlites

The EOS quality advantage
With all key components developed and manufactured in-house, EOS offers photographers a unique quality advantage. The EOS 450D’s specially designed 12.2 Megapixel sensor employs
Canon’s high-sensitivity, low-noise CMOS technology to produce richly detailed images with
minimal grain. The DIGIC III processor ensures superior image rendering and rapid response
times, with an almost instant 0.1 start up. Image data is processed at 14 bits for Delivering a burst rate of 3.5 frames per second, the DIGIC III processor works with the image buffer to
handle up to 53 JPEGs (6 in RAW) without interruption.

Built for better photos
The EOS 450D is designed to make photography a fluid experience for photographers of all levels and experience. Housed in a compact body that weighs less than 475 grams, the camera
features an improved grip design that provides a natural, ergonomic fit with the user’s hands. A large, bright viewfinder makes image composition clearer and more comfortable. The menu system inherited from professional EOS cameras uses a simplified tab structure that does
away with scrolling. It includes a user-defined My Menu tab for instant access to frequently used settings. Several custom functions are available to optimise the quality of photos captured in a range of situations. Highlight Tone Priority boosts the dynamic range at the highlight end, providing better tonal detail from wedding dresses, cloudy skies and other bright objects. The new Auto Lighting Optimiser corrects brightness and contrast during image processing, while improving skin tones in portraits by ensuring correct exposure for faces. Photographers can also enable additional noise reduction for shots captured at high ISO speeds.

Live View
Available for the first time on a Canon consumer D-SLR, Live View mode makes it easier to shoot from awkward angles, such as ground-level macro shots or when shooting from a tripod.
The image from the Live View mode is displayed as a smooth, 30fps video feed on the 3.0” LCD,
which is 50% brighter than the screen of the EOS 400D. A grid line display and live histogram
can be selected to help with shot composition and exposure. While focusing, the photographer
can zoom in on specific details with up to 10x magnification of the image displayed on the LCD screen. Two types of auto focus are available: Quick AF flips the camera mirror momentarily to engage the AF sensor; Live AF uses the image contrast data to focus - a method
familiar to anyone upgrading from a compact digital camera.For studio environments, remote Live View lets the photographer compose, adjust settings and
capture the shot from a PC using the supplied EOS utility software.

Other improvements
The EOS 450D complements its headline features with a host of smaller improvements that enhance the photographic experience. The viewfinder now displays all key exposure information
including ISO speed. The addition of spot metering (4% of viewfinder) allows for greater control over exposure in tricky lighting conditions. PictBridge functionality has been expanded so that photographers can correct horizons and add picture effects before printing. A new high capacity battery extends shooting time on a single charge to a maximum of 500 shots.

Software
The EOS 450D is supplied with a comprehensive software suite that provides everything the photograph needs to manage and process images. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control. DPP also integrates with camera features such as Dust Delete Data and Picture Styles. The supplied Picture Style Editor software can be used to create custom Picture Styles for fine control over colour display. The camera also comes with EOS Utility, Image/Zoom Browser and Photostitch.

Sony Alpha 300 dan A350

2008-04-03T19:28:00.009+07:00

Announced 30-jan-08
Sony has announced another two DSLRs to join its Alpha range. In between the recently announced A200 and flagship A700 come the A300 and A350 live view-enabled DLSRs. Here are the specifications of the cameras that show just how seriously Sony is taking the camera market.Sony introduces two mainstream DSLR cameras with unique “Quick AF Live View" system

Quick AF Live View System
They both offer Sony’s new “Quick AF Live View” technology so you can frame photos on the camera’s LCD without sacrificing auto-focusing speed common to other live-view systems. Sony’s innovative Pentamirror Tilt mechanism directs light to a dedicated live view image sensor, enabling fast and responsive TTL phase-detection auto-focusing, even during live view.Eliminating the focus delay of other systems, the new models are equally responsive whether using live view or optical viewfinder.With its two sensor design, Quick AF Live View can even continuously focus-track the subject and provide live view during burst shooting, helping you capture that special moment.
Taking further advantage of Quick AF Live View is the models’ variable angle 2.7-inch Clear Photo LCD™ screen. This makes it easy to frame scenes from high or low positions difficult to reach when using an eye-level viewfinder.With Live View and an adjustable LCD, the cameras do not need to be in front of the user’s face, allowing parents, for example, to maintain eye-contact when photographing their children. “Mainstream users stepping up to DSLRs are looking for a similar experience to their point and shoot cameras, but without compromise in speed or performance” said Phil Lubell, director of marketing for digital cameras at Sony Electronics. “Quick AF Live View gives these new models a familiar shooting style without compromising speed – ideal for the growing market of first-time SLR users.”

Exceptional Image Quality
The new models produce images with fine detail, rich tonality and vibrant color due to their APS-C CCD image sensors and BIONZ® processing engine. To aid shooting in low light, Super SteadyShot® image stabilization enables shutter speeds 2.5 to 3.5 steps slower than otherwise possible, with every compatible Minolta Maxxum® and Sony α (alpha) lens (sold separately) attached to the camera.High sensitivity operation at ISO 1600 and 3200 and very low noise are made possible by the user-selectable high-ISO noise reduction features. Sony’s D-Range Optimizer delivers suitable tonality and exposures with rich shadow and highlight detail, even under high contrast situations.

Powerful Performance, Easy to Use
The DSLR-A300 model can shoot about three continuous frames per second and the DSLR-A350 model can shoot up to two-and-a-half continuous frames per second, when using the optical viewfinder. Both are powered by the Bionz processing engine and supplied InfoLITHIUM™ battery for fast start-up times, quick response and long battery life – up to 730 shots per full charge when using the optical viewfinder and up to 410 shots per full charge in live-view mode.Both models feature lighter, slimmer bodies for easy handling; an improved user interface; an automatic pop-up flash; a comfortable camera grip with an easily accessible mode dial; an anti-dust system to keep the CCD image sensor clean for spot-free pictures; and JPEG and RAW file format support. Both have a slot for CompactFlash™ Type I/II media cards.An adaptor for Memory Stick Duo™ media cards is also available for the cameras and sold separately.

The new DSLR-A300 and DSLR-A350 cameras are compatible with a range of accessories, including the ergonomic Sony VG-B30AM vertical grip. Also available as an option is the new Sony HVL-F42AM flash unit. It offers advanced features such as automatic white balance adjustment with color temperature information, adjustable bounce angles, ADI metering and wireless remote operation to suit the needs of most photographers.

Price and Availability
The DSLR-A300 kit with a DT 18-70mm f3.5-5.6 standard zoom lens will ship in April for about $800. The DSLR-A350 camera body will be available in March for about $800, and the DSLR-A350 kit with a DT 18-70mm f3.5-5.6 3.9x zoom lens will be available for about $900 at the same time.

Sony Cybershot W50 - Reviewed

2008-04-03T16:19:00.003+07:00

The new Sony Cybershot W50 digital camera combines high-resolution 6.0 MP performance & a compact design with the appeal of traditional rangefinder shooting. Both first time buyers & step-up photography enthusiasts will have a camera that's equally adept at saving their memories & capturing their photographical vision.

The Sony Cybershot W50 combines a sleek metal body and compact design with new high-tech features for image quality and operating convenience. Super-sharp 6.0-megapixel resolution delivers more detail when you're cropping or making larger prints. Boasting a Carl Zeiss 3x optical zoom lens and High Sensitivity Mode (ISO 1000) which combines to produce sharp images even in low-light conditions. Sony's Clear RAW NR processing also minimizes the noise distortion of high-sensitivity shots.

The extra-large 2.5-inch LCD screen of the W50 not only gives you a big, bright image for setting up shots and checking results, it also displays a convenient camera Function Guide, with text and icons for easy-to-operate features like color and brightness adjustments, image size, flash & self-timer modes and more.

The Sony Cybershot W50 even provides an eye-level viewfinder for traditional shooting. You won’t find this in many modern digital compacts. Despite its compact size, the W50 incorporates shooting features every digital photographer wants. It has a 32 MB Internal Memory for capturing images without a flash memory card and a built in slot for optional Memory Stick and Memory Stick PRO Duo media.

Canon Powershot A630 Review

2008-04-03T16:15:00.003+07:00

Featuring 8.0 Megapixels, a rotating 2.5 inch variable angle LCD, 4x optical zoom lens & 21 different shooting modes! We were extremely impressed with this release. Here's what we found out.

The 8.0-megapixel sensor certainly allows for creative cropping while providing enough detail for large, high-quality prints. It boasts a new ‘Safety Zoom’ which takes advantage of the camera's high resolution to offer extra zoom magnification without affecting image quality. Users can also activate the Digital Tele-converter to add extra telephoto reach on all shots, having a similar effect to adding a tele-converter to your digital SLR model.

The 4x optical zoom lens achieves a 35-140mm focal length (35mm equivalent) while allowing the camera to maintain a compact size. The lens construction incorporates 8 elements in 7 groupings, including two aspherical elements to maximize sharpness across the whole image. With a maximum aperture range of f2.8 (wide) to f4.1 (telephoto). We found the lens is remarkably bright at the telephoto end. An ISO 800 mode improves results when shooting in low-light settings and enables flash-free photography indoors, but this is becoming more common in newer releases. The camera's High ISO Auto setting prioritizes fast shutter speeds by automatically using the higher range of ISO sensitivities, reducing the risk of unwanted image blur, a great feature for maintaining quality shots.

Canon have included a larger than normal 2.5-inch vari-angle LCD screen enables accurate framing from unusual angles, such as those encountered when using the 1-centimeter (.4-inch) Macro mode. The enhanced user interface retains a selectable Grid Line display to assist with rule-of-thirds compositions while users can also enable a new 3:2 ratio overlay during shooting to view the printable area for standard photo prints.

Playback is enhanced with an overexposure warning feature, which indicates overexposed areas in captured images. This is particularly impressive on a compact, and we for see this appearing more frequently in the near future. The Canon PowerShot A630 offers users a range of versatile features for creative photography. A choice of 21 shooting modes includes Program, Aperture priority, Shutter priority, and full Manual modes for complete exposure control. A Second Curtain Sync function allows for creative flash exposures, such as light trails. Artistic photo effects can be applied in-camera during and after shooting with My Colors. We tested the claim that filming is also possible at a high standard, and found VGA quality movies can be captured with sound at a smooth 30 frames per second to a good standard, and the AV-out connection and supplied cable allows for full screen playback on your home television.

Our favorite technology inclusions are the ‘iSAPS’ (Intelligent Scene Analysis based on Photographic Space, which automatically optimizes key camera settings before every shot. Each scene is analyzed and cross-referenced against Photographic Space, a vast in-camera library of photographic data. This enables the camera to make optimal adjustments to auto exposure, auto focus, and auto white balance before image capture.
While optical converter lenses cause a reduction in aperture and consequently require a slower shutter speed, the Digital Teleconverter on this model maintains aperture size, reducing the risk of image blur. The Safety Zoom also protects the image from interpolation at high levels of digital zoom, allowing users to extend zoom without sacrificing quality.

The Canon Powershot S3 Review

2008-04-03T16:10:00.003+07:00

The Canon Powershot S3 offers you high resolution, extra-long zoom, advanced yet easy-to-use movie functions plus great new shooting options! With Image Stabilizer technology, images & movies taken with the Powershot S3 are consistently sharp and smooth, time and time again.

It's everything you need to capture the fun, excitement and beauty of your active life - wherever it takes you! Successor to the popular PowerShot S2, the latest addition to the PowerShot S-series incorporates a 6.0-megapixel CCD sensor, Canon's renowned optical Image Stabilizer technology, and video functionality that is rivaling that of more dedicated digital video camcorders.

Sporting a striking new finish in gunmetal grey, the compact Canon PowerShot S3 answers the demands of advanced photographers with several improvements over its predecessor, including an increased sensitivity range of ISO 80 to ISO 800, a larger 2.0-inch vari-angle LCD screen, wide screen recording, new movie features, and an additional Sports mode for those more difficult of subjects. The PowerShot S3 also caters for serious photo enthusiasts seeking extended zooming flexibility and fully featured movie recording in a versatile compact digital camera.

Still the most powerful zoom in a Canon digital compact camera (36 to 432mm, f2.7-f.3.5), the PowerShot S3's lens incorporates the same leading technologies used in Canon's professional EF lenses. An Ultra-Sonic Motor drives rapid and near-silent zoom operation and an Ultra-low Dispersion (UD) lens element significantly reduces chromatic aberration in telephoto shots.

Canon's optical Image Stabilizer (IS) technology counteracts camera shake brilliantly to reduce image blur when shooting stills or recording video, which is essential for hand held shots at longer focal lengths. Image stabilization also allows photographers to shoot at shutter speeds up to 3 stops slower for reliable flash-free photography in low light conditions.The Canon PowerShot S3s 12x optical zoom combines with digital zoom to deliver 48x magnification for both stills and video. For even wider framing options, optional wide and telephoto converter lenses will extend the focal length from wide 27mm to super-tele 648mm for an impressive 24x optical zoom. A Super Macro mode & optional Close-Up lens 500D allow the photographer to take clear, detailed macro shots at a very close range.

Sony Alpha 100 Review

2008-04-03T16:02:00.005+07:00

The Sony Alpha 100 was recently released onto the Digital Camera market boasting new technology and already picking up great expectations. But can the hybrid technologies of Sony and their newly acquired asset, Konica Minolta, produce a real threat for the likes of Canon and Nikon?

Sony has finally entered the D-SLR market with its brand new 10 Megapixel, Sony Alpha 100! Does this new release actually pose a threat to the experience of players such as Canon and Nikon? First reactions were "No way!" however, earlier this year Sony acquired Konica Minolta’s D-SLR division, and have since, by integrating some of Konica Minolta's best Digital Camera features with Sony’s highly advanced sensor technology, produced the Sony Alpha 100 model.

Sony's Super SteadyShot, previously known as Konica Minolta's ‘AntiShake’ CCD has been refined to offer shutter speeds of up to 31/2 stops slower than we'd normally achieve, great for low light and or long lenses. Another major feature of the Alpha 100 is its expanded Dynamic Range (DR) feature, which maintains detail in shadows and highlights that would normally be lost in high-contrast conditions.

There is one main feature of the Sony Alpha 100 Digital Camera that is a pleasant surprise for digital photographers, the Alpha 100 self cleans! Interchangeable lens cameras are prone to collecting dust particles on the image sensor, often during the lenses being changed. The dust appears often appears as annoying spots in photos, and were sure you've experienced this yourself! The DSLR-A100 offers a novel approach to preventing this problem.

Canon Digital Rebel XT Review

2008-04-03T15:55:00.004+07:00

As Canon lift the lid on the Canon Digital Rebel XT model, our Digital SLR review panel uncover the plus and negatives of Canons most popular digital SLR to date, the hugely popular Digital Rebel XT.

The Canon Digital Rebel XT model, also known in Europe as the 'EOS 350D', has been recently introduced to the Digital Photography world at a somewhat moderate price and has certainly hit the digital camera market with energy and excitement! Our Canon Digital Rebel review panel has carefully tested each feature of the Rebel XT to ensure a fair, accurate & informative review. The Digital Rebel XT is not simply an improved upgrade, but is a totally fresh, aesthetically improved, intelligently redesigned digital SLR model.

Our review was quick to point out that the sensor used in the construction of the Canon Digital Rebel XT is identical to the one on the Canon EOS 20D, yet more compact, and its internal features such as the high powered image processor, have been upgraded quite substantially. Perhaps the most obvious of its upgrade changes is the new, aesthetically pleasing camera body, which happens to be substantially smaller than the previous model. Thanks to the new CMOS sensor the Digital Rebel XT now has an 8.0 Megapixels to play with. Canon have also concentrated on developing the speed aspect of this camera, the image rate and the processing speeds have also increased enormously. Naturally the Digital Rebel XT features the acclaimed E-TTL II flash system.

The Digital Rebel XT model addresses the criticisms its predecessor, the 300D has received. It is a particularly aesthetic camera, which sits comfortably in the hand & which also boasts an impressive processing speed indeed. The image quality is second to non, with vivid color, low noise levels & impressive brightness and contrast on the LCD. The most obvious difference is the construction of the camera body. We believe the XT is clearly aimed at the average mid-level consumer photographer.

We're confident anybody can learn their way around this model fairly quickly and painlessly! The compact & lightweight chassis of the camera will appeal to a number of buyers & will be considered a unique selling point of the Digital Rebel XT. The ergonomics of the camera leave a pleasant impression & can be enjoyed by the complete range from beginner to pro!

Overall the Digital Rebel XT is excellent quality for money. Particularly the inclusion of the 'DIGIC II' processor, which gives the XT a certain added value. This processor is now used by Canon almost across the entire range, & certainly pays dividends. The 350Ds response times under a range of conditions were extremely impressive. From portrait photos right through to macro images, the Canon Digital Rebel XT is very versatile & dependable.

The Canon EOS 30D - Reviewed

2008-04-03T15:51:00.003+07:00

The Canon EOS 30D is the replacement for the highly acclaimed Canon EOS 20D. Offering new EOS technologies and allowing user an unbeatable digital photo experience. This EOS 30D model also boasts a variety of newly developed features that include the Canons DIGIC II Processor & 8.2 MP CMOS sensor.

The Canon EOS 30D model offers enhanced features like the new 2.5 inch LCD viewer screen, 'true spot' metering, the newly designed shutter mechanism & all the usual Canon 'picture preset' styles which are designed for improved camera operation. All of which packaged into an improved more solid, magnesium chassis. The inbuilt flash unit has been upgraded to sync with the 100 thousand shutter cycle, seen by many as an ever more important feature in digital photography.

The 30D also has an improved clear vivid 2.5 inch LCD viewer. Based on monitors from Canon's professional EOS range, the 30D viewer not only displays in depth settings info, but can also be viewed at greater angles up to 170 degrees. The fuller featured shot information provides a image histogram (RGB) and also shows the user the AF frame used. The 30D zoom/magnification is faster and smoother than ever, allowing zoom to the focal point, instead of the center of the image, to check critical focus & exposure. Canon have made it easy to swiftly jump in image intervals up to 100. The menu feature can be accessed at the press of a single button & features a larger text designed to make reading easier for the user. With easy setting up of custom functions, simple folder organizing and the swift setting of white balance, the EOS 30D is designed so that you'll never miss that crucial shot again!

The EOS 30D features Canon's highly acclaimed CMOS sensor, with a larger 6.4µm2 pixels for wide dynamic range whilst controlling image noise. Random noise is also minimized by the very impressive internal 'noise elimination' technology. The low pass filter found in front of the sensor helps to control and reduce incorrect color effects, whilst the infrared filter suppresses any 'red fringing' often a result of sensor foggin

The Nikon D200 Review

2008-04-03T15:40:00.006+07:00

Welcome to the Nikon D200 Review page. Our Review panel put Nikon's prestigious D200 through a day of tough testing to bring you a realistic, honest appraisal of the Nikon D200. Here's what we found.

Nikon D200 Nikon’s highly prestigious D200 model is perfect for those users looking for a digital model to bridge the gap between entry level cameras & the professional level Digital SLRs. The Nikon D200 delivers unquestionable quality professional pictures while offering the user (of any level) with outstanding versatility, creative license and complete manual control over every function of the D200 model.

Nikon D200 The Nikon D200 is also the perfect model for the semi-professional or serious enthusiast user who want an affordable SLR that combines the right amount of quality, reliability & diversity of Nikon’s professional top end models. Also available as part of the Nikon D200 Kit is the AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5G IF-ED lens, which is optically designed for use specifically with Nikon digital SLR sensors.

Main Features of the Nikon D200 Include:

* 10.2 megapixel CCD guarantees outstanding results.
* ISO100 to 1600 sensitivity in steps of 1/3, 1/2 or 1 EV with additional settings up to 1 EV over 1600
* CompactFlash Type I/II and Microdrive storage
* Compressed NEF (RAW): 12-bit compression, JPEG: JPEG
* 2.5in , 230,000dot, low-temperature polysilicon TFT LCD monitor with brightness adjustment
* Full frame, thumbnail, zoom and slideshow playback with RGB histogram indication, Shooting data, Highlight point display and Auto image rotation
* Picture angle is approx 1.5 times lens focal length
* Fixed eye-level pentaprism type viewfinder with built-in diopter adjustment (-2.0 to +1.0m-1)
* Type-B BriteView Clear Matte focusing screenwith superimposed focus brackets and On Demand grid lines
* Viewfinder coverage approx. 95% (vertical and horizontal)
* Autofocus TTL phase detection by Nikon Multi-CAM 1000 autofocus module with AF-assist illuminator (approx. 0.5m to 3.0m)
* Auto TTL white balance with 1,005-pixel RGB sensor, six manual modes with fine-tuning, color temperature setting, preset white balance, white balance bracketing possible 2 to 9 frames.

Nikon D200 The Nikon D200 combines the solid look and feel and advanced camera operation of Nikon’s D2 professional series with the approved user-friendliness and stunning image quality that are the hallmarks of all Nikon digital SLR's. All in all, the D200 has been designed and built to connect a range of newly developed Nikon technologies with advanced features inherited from the Nikon D2x, ensuring an ultimate shooting experience with exceptional performance.

The Nikon D70S - Reviewed

2008-04-03T15:34:00.003+07:00

The Nikon D70S is based on the image quality, ease of use and camera specifications found on the highly acclaimed D70 model, the D70S offers more enhancements to improve your digital SLR experience and further your photo enjoyment!

To begin with, Nikon's new D70S boasts a 6.1 megapixel DX format CCD which yields 3,008 x 2,000-pixel images, suitable for producing larger prints, or for creative cropping to bring out image details. With an impressive startup time of 0.2 seconds, the D70S is ready to shoot when you are. Images are processed and recorded extremely fast & previewed images show on the cameras bright LCD viewer almost instantly

With the Nikon D70S, fast action sport photography is made simple. It has the ability to shoot a quick 3 fps (frames per second) for a continuous burst up to 143 images, so you'll never miss that perfect shot. It also boasts shutter speeds that range from 30 seconds to 1/8000 second (up to a 1/500 second flash sync speed) so again, you'll be sure to have the flexibility you need to capture the action exactly as and when you want. Best of all, the D70S adopts the Nikon F lens mount for simple compatibility with the large comprehensive range of top quality AF & AF-S Nikkor lenses, which have long been a favorite of professionals globally.

Included as standard with the Nikon D70S is the AF-S DX Zoom-Nikkor 18-70mm lens, a compact standard zoom that covers the focal length range of 18-70 mm which is the equivalent of 27-105 mm in the 35mm format. While sporting many advanced features you'd only expect to see in a professional-level SLR, the Nikon D70S also supports many features that make image shooting simple for user at any level of competency!

Olympus Evolt E510 Review

2008-04-03T15:27:00.003+07:00

The Olympus Evolt E510 Review - Olympus are excited to announce the Olympus Evolt E510 Digital SLR! The Evolt E510 offers great functionality & mobility in a compact light-weight design packed with state of the art digital photo technology.

The Olympus EVOLT E-510 digital SLR is a great camera to help you evolve as a photographer. Only Olympus digital SLRs are engineered to be 100-percent digital. Simply put, this means your pictures will have stunning edge-to-edge sharpness that can’t be beat. Olympus’ Live View LCD technology is a unique feature that enhances your picture-taking experience.

Whatever life brings, whatever you’re photographing, you’ll capture colorful memories with the E-510’s proven Dust Reduction System and powerful, 10-megapixel imager. It has built-in image stabilizer unit using Olympus’s exclusive Supersonic Wave Drive motor, which allows for better pictures and gives users the beautiful photograph images they are looking for. The E-510 is loaded with a huge 10 Mega-pixels for high resolution photos.

The Olympus Evolt E-510 is loaded with an impressive 10 mega pixel sensor which gives users the flexibility to enlarge their prints and images to the large sizes supported by many of today’s good printers, or even crop the image to print only a selected part of the image. The high-performance Live MOS image sensor in the E-510 delivers excellent dynamic range for accurate color.

The Olympus Evolt E500 Review

2008-04-03T15:15:00.008+07:00

The Olympus Evolt E500 Review - In March 2006 Olympus gave four features top priority when developing the E500, maximum image quality, a sensor cleaning system that removes dust from the CCD without the need for consumers to fiddle with the important bits, ease of use and finally a compact design.

Previous Olympus E’s have been large, somewhat blocky models, so while this one is still a bit on the bigger side, it is significantly smaller than its predecessors! It almost looks like slim-line version of the Olympus E-1 model. Image quality easily lives up to expectations with its 8.0 Mega pixels at your disposal. Metering and focusing features are particularly good and produced very pleasing results even in very trying shooting situations.

The sensor cleaning system is perhaps the cherry on top for this model. It removes dirt and dust particles that get into the camera body while the lens is removed. It uses Olympus' proprietary ‘Supersonic Wave Filter’ set up which has a special filter in front of the Four-Thirds format CCD. Each time the camera is turned on, or when the cleaning system activated by the photographer, the Supersonic Wave Filter kicks in and gives itself a high frequency shake down. Any dust on the filter falls onto a special sticky membrane, thus preventing the dirt form going anywhere.

To quote a tester, “the focus is crispier than a Pringle in a freezer!” The E500 also features surprisingly accurate color modes and settings, which include vivid, natural & muted modes. Each of which can be further adjusted for contrast, sharpness and saturation. The sensor cleaning system is perhaps the cherry on top for this model. It removes dirt and dust particles that get into the camera body while the lens & body are separated.
It uses Olympus' proprietary ‘Supersonic Wave Filter’ set up which has a special filter in front of the Four-Thirds format CCD. Each time the camera is turned on, or when the cleaning system activated by the photographer, the Supersonic Wave Filter kicks in and gives itself a high frequency shake down. Any dust on the filter falls onto a special sticky membrane, thus preventing the dirt form making its way back into the camera parts!

Digital camera reviews

2008-04-03T15:05:00.007+07:00

Welcome to the Digital camera Reviews Area. Here you'll find the Review Area, the brand releases, such as Canon, Nikon, Sony and Olympus. Provide amateur photographers with relevant, useful & up to date reviews and tips, to help promote better digital photography for us all to enjoy I am constantly adding new camera reviews here, so be sure to come back and visit my site again and again soon!

D-SLR REVIEWS:

Olympus E500

Olympus E510

Nikon D70S

Nikon D80

Nikon D200

Canon Eos 40D

Canon Eos 30D

Canon Rebel XT

Sony Alpha 100

Compact REVIEWS:

Canon Powershot S3

Canon Powershot A630

Sony Cybershot W50

Gallery

2008-04-02T14:38:00.007+07:00

Flowers

Anthurium

Animals

Spider

Cat

Caterpillar

Butterfly

Photography in Sunlight

2008-03-23T13:21:00.002+07:00

Photography is all about light, the direction of the light falling on your subject is most important, you need to look at your subject carefully and watch how the shadows fall.

If you are able to choose the time of day to shoot your pictures, pick a time when the sun is low in the sky, either shoot in the early morning or late afternoon. Shooting pictures of people with the sun too high in the sky, tends to mean the subject's eyes will be in shadow and/or they will be squinting in the strong light, both of which tend to look horrible. A nice side effect of shooting in the early morning or late afternoon is that the colour of the light is 'warmer', reds and yellows are stronger which generally gives a more pleasing effect.

If you are photographing in sunlight, try to position yourself so that the sun hits your subject from the side, this will give you nice 'modelling' .
Sunlight behind the subject can give a very pleasing 'backlight' effect but be careful that you are not getting 'flare' in the lens, which degrades the contrast of the image.

For more details tutorial you can find it ...here....

Shutter Speeds and Apertures

2008-03-23T13:20:00.000+07:00

Shutter Speeds
If you are photographing fast moving objects such as cars or people running you need to select fast shutter speeds to capture the sharpest picture you can.Not only moving objects suffer from too slow a shutter speed. If you are holding the camera in your hand rather than having it mounted on a tripod, you will see the telltale signs of 'camera shake' (i.e. the movement of the camera) at shutter speeds longer than 1/125th of a second. A secure pair of hands will be able to get away with 1/60th or even 1/30th of a second but the camera would be better mounted on a tripod.Of course, if you are taking photos of static objects like houses with a camera mounted on a sturdy tripod, you can leave the shutter open as long as you want without blurring.

When the shutter speed is important as with moving objects, it's a good idea to set the camera to 'Shutter Speed Priority' mode. This is where you select the shutter speed and the camera selects the appropriate aperture according to the light reading.

Apertures
As well as letting more or less light into the camera the size of the aperture you choose governs the 'Depth of Field'. Depth of field means the amount of the picture, from foreground to background, that is in sharp focus. A smaller aperture will give you a greater depth of field and a larger aperture will give you a more restricted depth of field. This characteristic can be used to good effect in many ways.
If depth of field is important to either make sure everything is in focus or to throw some things out of focus, select the 'Aperture Priority' mode on your camera. In this mode you select the aperture and the camera selects the shutter speed according to the available light.

Exposure

2008-03-23T13:19:00.003+07:00

Exposure
Exposure' we mean the amount of light that falls onto the CCD. In modern cameras the exposure is usually set to automatic by default and, most of the time, it can be left there and will produce beautiful pictures. There are times though, when the lighting conditions are difficult or we want to produce a particular effect and it would be nice to understand what is going on 'under the hood'.

The problem with all types of recording media is that they cannot record the entire range of contrast (black to white) that the eye can see. Especially when you take into account that the eye is constantly adjusting to cope with high contrast. On a sunny day if you look into the shadows of a scene then into the bright areas, the iris in your eye will quickly adjust so you can see detail in both.

Auto Exposure
The camera manufacturers have come up with all sorts of ingenious metering systems to try to help, there are now multi mode metering systems, which give you a choice of 'centre weighting', 'spot metering' or 'multi spot metering' on many of the better cameras, but none can guarantee to give you what you want every time.

The exposure is the amount of light received by the film or sensor and is determined by how wide you open the lens diaphragm (aperture) and by how long you keep the film or sensor exposed (shutterspeed). The effect an exposure has depends on the sensitivity of the film or sensor.

The exposure generated by an aperture, shutterspeed, and sensitivity combination can be represented by its exposure value "EV". Zero EV is defined by the combination of an aperture of f/1 and a shutterspeed of 1s at ISO 100 (1). Each time you halve the amount of light collected by the sensor (e.g. by doubling shutterspeed or by halving the aperture), the EV will increase by 1. For instance, 6 EV represents half the amount of light as 5 EV. High EVs will be used in bright conditions which require a low amount of light to be collected by the film or sensor to avoid overexposure.

A camera uses two things to control the amount of incoming light (exposure):
A Shutter:
In a camera, the shutter blocks all light from exposing the film UNTIL you press the button.Then it quickly opens and closes, giving the film a brief flash of light. You can control the length of time the shutter remains open by setting the SHUTTER SPEED.

A half second exposure is ONE STOP darker than a one second exposure.
A 1/125 exposure is TWO STOPS brighter than a 1/500 exposure.
A 1/1000 exposure is THREE STOPS darker than a 1/125 exposure.

An Aperture:
When light passes through a camera's lens, it must pass through an opening called an "Aperture". it's a hole that lets in more light when it's wide open and less when it's small. You can control the aperture by setting the "Aperture Opening", also known as an F-Stop.

F-Stops :
Control how much light is passed through the lens. Every step in that table represents a ONE STOP change in light. The aperture on a camera controls light. It does so by closing up to restrict light, and opening up to let it through. Lower F-Stop numbers indicate MORE LIGHT.

Tripods

2008-03-23T13:17:00.005+07:00

Tripods
Like or not tripod will open up a whole range of techniques you can try that would not be possible without it.

1) Take pictures at slow shutter speeds without getting the dreaded camera shake. This enables you to do lots of interesting things like having some, non-moving, parts of the picture sharp while other, moving, parts are blurred. In the picture on the right the water takes on a cloud like quality due to the slow shutter speed.

Picture on the left is taken at higher speed whereas on the right at slower speed

Also panning with a moving object, like a car, is easier with a tripod. Panning at a slow shutter speed will render the object (car) sharp and the background as blurred streaks.

2) Use much smaller apertures giving you greater depth of field. Because you can use slower speeds you can shoot at any aperture you like.

3) Shoot a series of frames that will join up into a panorama more accurately. Although this is possible hand held, the best way to shoot panoramas is to shoot in upright format, take lots of pictures that overlap and use a tripod that has been carefully adjusted to be level with the ground.

Panorama picture

Composition

2008-03-23T13:13:00.002+07:00

The biggest difference between a good photograph and a mediocre one is the compositon.Placing the elements of your picture within the frame and deciding what to leave out.

In this case we talk about the boundaries of that photo and placing the point(s) of interest in your picture.One of the easiest ways to improve your photography is with careful attention to framing. Look into the corners of the viewfinder to see what is there. Do you need all that background? Can you get closer to your subject or zoom in? Would the picture look better as an upright or landscape?.If you crop your pictures afterwards in the computer or in the darkroom, you are throwing away quality. You are wasting some of those precious pixels that you paid so much for. What's the point in having a camera with five million pixels
Selecting your viewpoint, the position from which you photograph the subject, is a very important part of composition and one that some people pay very little attention to look for the best angle.The perspective can change quite drastically, especially with wider angled lenses.the viewpoint you choose also affects how the light from the sun falls on your subject, When shooting outdoors.

There are various compositional rules to compose pleasing pictures, however, you will often find that a really striking picture will show a blatant disregard for the rules. Once you are aware of the rules then break them as often as you want but, at least, know you are breaking them and why.

Rule of Thirds
The rule of thirds simply says that, instead of placing the main focus of interest in the centre of the frame, which gets a little boring, that you look to position it on an intersection of the thirds. That is to say one third up and one third in or two thirds up and one third in etc.
Using the steps outlined previously will help to tighten up your composition. Now we will look at a few techniques you can employ to help improve your composition. If you are taking photographs for your own pleasure, as I assume you are, then you only have to come up with pictures that please you.

One of the most popular 'rules' in photography is the Rule Of Thirds. It is also popular amongst artists. It works like this:
Imaginary lines are drawn dividing the image into thirds both horizontally and vertically. You place important elements of your composition where these lines intersect.

As well as using the intersections you can arrange areas into bands occupying a third or place things along the imaginary lines. As you can see it is fairly simple to implement. Good places to put things; third of the way up, third of the way in from the left , you get the idea. Duff places to put things; right in the middle, right at the top, right at the bottom, away in the corner.Using the Rule of Thirds helps produce nicely balanced easy on the eye pictures. Also, as you have to position things relative to the edges of the frame it helps get rid of ' tiny subject surrounded by vast empty space' syndrome.
One last thing about the Rule of Thirds for the time being. Once you have got the hang of the Rule of Thirds you will very quickly want to break it ! This is fine. As I said earlier these 'rules' are best used as guidelines and if you can create a better image by bending or ignoring rules then fire away.

The Rule of Thirds is fairly structured but there are a great many methods you can employ which rely on your ability to 'see' things and incorporate them into your composition. Next up we will look at some, but by no means all, of them.

Some possible applications for the Rule of Thirds include photographing an animal with their eyes centered on one of the thirds points, looking into the frame, or a person standing aligned with one of the thirds lines.

Using the Rule of Thirds can also help you avoid placing the horizon dead center so you don't leave your viewer ambivalent as to your intent. What's more important in the photograph, the foreground or the sky? You need to decide what holds the most interest feature that. If there's nothing going on in the sky then don't include very much of it.

Start with the rule of thirds and see how your photography improves, but don't get stuck in it.
Just as some people feel the best place for the subject is in the middle of the frame, others can wrongly assume that strictly following the Rule of Thirds will guarantee good pictures. In reality, the "Rule" of Thirds should be considered more of a guideline than a rule. When photographing reflections for instance, centering your subject may actually work better. Consider placing elements closer to the edge of the frame than the thirds line too. You don't have to be on the exact third point or line to be effective — sometimes just slightly off center can work wonders too. Try bracketing your compositions: place your subject in different areas of the frame and when you get your film back, see which ones please you the most and ask yourself why. For best sample pistures of using the rule of third you can find it at http://photoinf.com/

Using Diagonals
Setting your subject matter on a diagonal will almost always make for a more dynamic picture. Even if this is an invisible diagonal that draws your eye between two points. Move around the subject and look for a diagonal.

How to find the best digital camera

2008-03-20T16:55:00.002+07:00

It seems that every month, if not every week, different manufacturers are coming up with the latest digital cameras to entice potential clients.

After spending sizeable amount of time at the mall figuring out which is the best digital camera for us, we finally have enough money to buy for that eye-popping, 7 mega pixel, 10x digital zoom, potable, candy colored, up to 512MB expandable memory of super hi-speed SD memory card and not to mention very portable, (that will be the envy of almost everyone we know). We march to the mall armed with our life savings and lotsa pride in ourselves, when we pass by a new display - an eight mega pixel, up to 1G expandable memory, with built it mic and stereo surround, video playback capable, with 22 scenic modes kind-of-camera. And we sigh because the producer of this amazing gadget claims that this is the best digital camera yet out in the market. And so as we always want to have the best, armed with our life savings and a few credit cards, we buy the "best digital camera." But then again, that doesn't last too long, after two months or so, there's another "best digital camera."
And so it confuses us. What makes a digital camera, the best digital camera?

Well then ask your self, what type of photographer are you?
The first thing to consider when thinking of buying a new digital camera is how you intend to use your shiny new gadget. People generally fall into one of three categories:

Snappers – My brother is a bit like this. He isn’t too bothered by top picture quality. He just wants a simple point n’ click camera that produces reasonable digital photographs.

Hobbyists – these people want to get a little creative at times. Perhaps a few close ups, the odd clever slow motion night shot and so on.

Pro/Semi-pro – these people want a camera that delivers top quality photographs. They want a fast operating camera that’s also adaptable. They usually want granite-like construction too!

So, before you do anything else, decide what category you fall into. Once you have decided you should then consider pixel count, cost, style and size.

MEGAPIXELS
One of the most important features of digital camera to make it into the best digital camera category is its mega pixel property. The higher the mega pixels the better the actual photograph will come out. A mega pixel is equivalent to one million pixels. The resolution of your image is based upon the mega pixel property of your camera. This means that as you enlarge the picture, you would get more detail and less blurry colors.
LCD SIZE
The best digital camera will always have a large LCD to help you frame your subject without having to squint to the viewfinder. This is also helpful when reviewing your images, some cameras enable touch up and editing features with its LCD. A 1.5-inch display is average, a 2-inch LCD display is good, but the best LCD size would be 2.5 inches or higher.
ZOOM
Most digital cameras have both digital and optical zoom. A higher optical zoom is always better than a higher digital zoom. Digital cameras are usually furnished with optical of between 3x to 10x. The better the optical zoom, the higher it climbs up to the best digital camera category.
MEMORY CARD
Always make sure that your memory card is the right one for your digital camera. There are different types of memory card like the xD, SD, Flash card and the likes. And these types of memory cards go with certain types of digital cameras. of course memory storage is also up there in choosing the best digital cameras. Choose the size of memory that you need, if you're a photo junkie, you might need more than 32MB. Memory cards can go up to 1G.

The key point to find the best digital camera is to find one that will best fit you and your lifestyle. Don't just buy the latest or the one that claims they are the best digital cameras out in the market. You wouldn't want to buy a DSLR and use it with your home activities or family outing and have to lug it around?! Or you don't want to buy the latest point and shoot camera when you're serious about being a professional photographer. (Of course, you can use this for starters, but if you're not a novice photographer anymore, you wouldn't want to get this kind of camera.)

Actually, the best digital camera is the one that you will enjoy and use. Not the type that you'll just leave rotting in its box or after a few weeks of usage or so, up there in the attic.

Underwater digital camera

2008-03-20T16:52:00.000+07:00

Memories are created just about anywhere. And when I say anywhere, I mean that memories are even created underwater – so the creation of underwater digital camera.
An underwater digital camera is not just used to capture underwater memories; some professional marine photographers also use underwater digital cameras in their business. Even marine biologists and scientists use underwater digital cameras to capture marine life and thus be able to study the life and properties of the marine life. But I think it is safe to assume that you, my reader, are neither a marine scientist nor a professional photographer. Like me, you are just some photo junkie who wants to capture underwater moments and just cant figure out how without ruining your cameras.

Please listen to me when I say that even waterproof cameras cannot withstand underwater photography. To be waterproof is to resist the water in certain levels, submerging in under the water to get the perfect shot is like throwing it out of the window expecting a pick-up truck to pass by and run over it.

Now if you’re really serious about using an underwater digital camera to capture those wacky and funny moments underwater, I suggest that you buy specialty cameras.

There are rarely underwater digital cameras, as cameras are electronic and cannot withstand water and water pressure. The closest electronics has ever got to producing underwater digital cameras are producing underwater casings for digital cameras. These casing will turn your conventional digital camera into an underwater digital camera.

If you are shooting with your underwater digital camera, you need to take note of a few things to help you come up with the best images underwater.

Remember that as you farther under water, light diffuses. This means that your underwater digital camera will produce images darker than those images you took while on land – this is because of the light diffusion the red spectrum seems darker. To avoid this, use white balance come up with natural colors. Also, pictures taken underwater will come up larger than pictures taken on land with the same zoom effect. Be sure to check your underwater digital camera’s viewfinder to check the right picture angle and size that you want.

An underwater digital camera with its built-in flash will produce marine show phenomenon. It is a phenomenon wherein your pictures come out as blurry and with white particles floating above it, to avoid this phenomenon it is advisable to use external flash for your underwater digital camera.

Before using your underwater digital camera, submerge the camera in the water first for several seconds then check if there are leaks through the case. Make sure that no grain of sand or piece of hair is stuck in between the seal to make sure that water will not permeate the case and thus wet your camera in the process. It is also advisable to put silica gel or two inside the case of your underwater digital camera as long as they don’t disturb the camera’s operation. (Silica gel will keep the moisture from forming inside your camera case.)

Most underwater digital cameras come with optional lenses. Don’t be afraid to add these lenses to your underwater digital camera kit. Macro lenses will help you capture small things without getting too close and startling your subject.

Also, remember to always wash of salt when you’ve used it under salt water. If the salts are not washed off, in time they will crystallize; act as sands and cause leaks for your camera case. In cases when sands seem to get into the case, they are better washed off with streams of water.

Check out Sony, Nikon, Olympus and Canon’s website for available underwater cases for your digital cameras.

Buying an Underwater Digital Camera
(Citation from Daniel Grotta & Sally Wiener Grotta)

If your next vacation will be near the water, you might want to consider buying an underwater digital camera. Whether you're snapping photos on the beach or taking pictures of a sunken shipwreck, there's an underwater camera designed for your needs. Here's a rundown of things to consider in choosing the right underwater camera.
Wade, Swim or Dive with Underwater Digital Camera?

The first thing you must decide is what you want out of an underwater camera. Do you enjoy the beach and simply want a camera that won't wilt if you splash a little sand and water on it? Are you a snorkeler who loves floating above a shallow reef and watching the fish play? Or are you a serious scuba diver who digs National Geographic-style underwater photography? Your answer will determine which of the two main types of underwater cameras you will want to use: weatherproof or water-resistant.
Weatherproof Digital Cameras

With rubber-reinforced seams and seals around the lens and all openings, weatherproof cameras are impervious to splashing, soaking or being briefly immersed. There's a limit to how deep you can take them, however. Depending upon the model, the maximum depth can range from as little as 12 inches to no more than 10 feet. Weatherproof cameras sell from under $50 to about $350, with most offering features and functions found on regular digital cameras.
Tip: Many weatherproof digital cameras are also reinforced so that they can be handled roughly, even dropped in dirt or sand, without doing any damage. To clean the camera, dunk it in a bucket of clear, non-salty water.

Water-Resistant Digital Cameras

True water-resistant cameras come equipped with heavy-duty seals, called O rings, that keep water out indefinitely. Depending upon the specific camera, you can shoot at depths of up to 200 feet. These underwater cameras are usually bulky and require some regular maintenance, such as greasing and cleaning the O rings. Water-resistant cameras cost between $80 and $500, although adding accessories can bump the price tag up considerably.
Really Serious Underwater Photography

For maximum versatility and highest image quality, consider buying underwater housing for your digital single-lens reflex (DSLR) camera. An underwater housing completely surrounds the camera body and lens, while giving full access to its viewfinder and all controls. Ranging from $200 to $1,200 (not including the camera!), they're generally high-maintenance (lots of O rings), but you can add accessories, like external strobe lights, and take advantage of your DSLR camera's interchangeable lens capability and other features.
Try an Underwater Camera Before You Buy

More than any other type of digital camera, you should try out any underwater camera that you're interested in buying. You'll want to know how it feels in your hands, if the controls make sense, if you can frame your pictures in the viewfinder, and if it can capture the kind of pictures you're expecting to get. If you're into scuba, a good place to start is your local dive shop. But if you're a casual swimmer or snorkeler, check out one of the larger sporting goods stores. Avoid buying online until you've had some hands-on experience with the camera you like.

Tip: Rent, rather than buy. Many resorts offer daily or weekly underwater digital camera rentals. You may even be able to try out several cameras during your vacation. Then, when you're back home, you can, if you wish, buy the one that you liked best.

Trusting digital camera reviews

2008-03-20T16:45:00.000+07:00

Digital camera reviews are abundant not just online but also in the newspapers, magazines and even TV shows. We often wonder why most digital camera reviews always praise all the digital camera out in the market, that’s why we end up getting confused on which product to buy or get our loved ones. ]

Here’s one thing you should never trust regarding digital camera reviews - never trust press releases or reviews that are directly from the manufacturer or advertising office that is directly connected with producer of the digital camera. Why?! Well because these digital camera reviews are never too truthful, or they just give out the good points about their products. I mean, what would you expect, supposing you own your own line of digital cameras and to boost your sales, you release digital camera reviews about your products. Of course you wouldn’t point out the bad things or the glitches of your product in your digital camera reviews, because that way you will never be able to shoot up your sales. Press releases or digital camera reviews from manufacturer are always half-truths. Haven’t you had any experience with that?! I mean, that just doesn’t go for digital camera, remember that brush-blower thingy that you bought over the internet that says it would work tremendously for your hair, but ended not working for your hair after all. Press releases are press releases, meaning that they are aimed to get people to buy the product or to give the product a better name.

On more thing that you can never fully trust are home shopping networks and advertisements. As much as press releases, they pretty much pose the same claims about their products. But hey, don’t trust me, you can always get them and return them after proving to yourself that it doesn’t work. Never mind the time and effort that you’ve wasted, you chose to listen to a half-truth digital camera review, that’s what you get for that.

The best digital camera reviews available are those found in specialty magazines (computer based and technical magazines), special websites catering to techie stuff and unofficial digital camera reviews. Why?! Well because! Because these digital camera reviews are always truthful. These reviewers and critics are never afraid to list down the good as much as the bad points of digital cameras. These digital camera reviews usually points out the difference between the products that a certain manufacturer has released and how it is worse or better than the previous one. These reviewers and critics are also knowledgeable in their craft, so its say to safe to say that they know what they are talking about when it comes to digital camera reviews. One more thing, most of the time, these digital camera reviews are actual first hand experience with the product itself and not just some advertising agent asked to come up with flowery words to capture you and your wallet.

Another best source for a digital camera review is one that you can write yourself. And how can you do that?! Of course, you first need to buy your own digital camera, try it out and compare everything that you do with it to the things that it claims to be. (be careful to read the specs, options and features that you need to try out, be on the lookout for words such as weatherproof, meaning that they are splash resistant as to waterproof that are water resistant. You don’t want to get your newly bought weatherproof camera wet, just to prove to yourself that the things they claim are not true). After doing so, then you can write your own digital camera review or reviews, depending on how many things you’ve learned from your digital camera. Be sure to indicate that your review is an on-hand experience with the product and not just some wild guess.

The most honest digital camera reviews are the best reviews you can look for and trust. Anyway, you can always call customer center or return your digital camera if they don’t live up to their claims.

Cold Weather Photo Survival Guide

2008-03-20T16:40:00.001+07:00

Cold Weather Photo Survival Guide

Have you watched a documentary about a mission to the Antarctic. Faced with temperatures rivaled only on some of the outer planets, the team routinely had equipment failures from the hundred-below-zero temperatures and frigid windstorms ?. Indeed, the film in their cameras--this trip predated digital photography--became so brittle from the cold that it actually broke, ruining many rolls of pictures.

Thankfully, it's rare that we have to withstand such extremes. But it certainly is wintertime, and cold weather can affect the performance of our digital cameras. It pays to know what to expect.

Batteries and Cold Don't Mix
First and foremost, remember that batteries don't like cold weather one bit. Outdoors in winter, it's not unusual for your digital camera's batteries to give up in less than half the time they ordinarily last in more temperate conditions. It's a good idea to carry a set of spares, especially if you plan to document the construction of an entire snowman.

Here's a tip that has worked on many winter excursions: I keep my spare batteries in an inside pocket, where they can benefit from my body heat. When it's time to swap, I put the "dead" cells in that pocket so they can warm up a bit. If I need to, I can put those batteries back in the camera--they'll often be good for a few more shots after they've warmed up a bit.

Beware of Temperature Changes
When you bring the camera back indoors, odds are good that you'll get some condensation on the lens. Be patient. It's a bad idea to wipe the lens off to take more pictures: You can scratch the lens in the process. Also, if you wipe the lens and the condensation pools up around the edges, it can leak into the inside of the lens assembly. That's a really bad thing. So let the condensation evaporate on its own; it shouldn't take long.

Likewise, don't bring your camera in from the cold for just a few minutes, then rush outdoors with it again. If you do, the condensation won't have a chance to evaporate, but will instead freeze on (and perhaps even inside) the camera, possibly damaging it.

Incidentally, you can minimize condensation by keeping your camera in its case or camera bag when you bring it inside, and giving the camera enough time for the temperatures to equalize before removing it. That will slow down the temperature change enough that condensation never forms.

Snow Can Confuse Your Camera
Finally, winter isn't just cold; in much of the country it's notorious for covering the landscape with a wet, white substance known as snow. And while snow can make for pretty pictures, it also has a reputation for confusing your camera's exposure system. Since snow is so reflective, it can force the camera to underexpose the darker, less reflective subject in your scene. So your pictures often end up too dark or muddy.

The solution? If your camera has a "sand and snow" programmed exposure mode, use it. If not, set its exposure compensation dial to overexpose the picture by about 1 or 1.5 stops. When you get out of the snow, remember to switch your camera's mode so you don't end up overexposing your other pictures.

Housekeeping Tips

2008-03-20T16:38:00.000+07:00

Clean Your Camera
Housekeeping tips for better photos and fewer problems.

Citation from Dave Johnson
Feature: Clean Your Camera to Keep It Healthy

A friend once showed me some digital images he'd taken with his old 2-megapixel camera. They
were all slightly blurry, and, for lack of a better word, blotchy. "What's wrong?" he asked.
"They always come out this way." It turns out that his lens was so dirty--visibly, horribly
dirty--that it was affecting the quality of his images. I took some lens cleaner to his camera and, five minutes later, his problem was solved.

You need to keep your camera clean and maintained if you want it to live a long and productive life. Thankfully, most digital cameras require very little maintenance, and only a few exposed areas need any cleaning. In fact, there are very few parts you can even get to without voiding the warranty. This week, let's look at how to keep your camera in top form.

Keep the Lens Clean
The lens is your digital camera's window to the world. It must be kept clean and scratch-free, or your photos will suffer.
If you have a high-end camera, the lens probably has screw threads, which means you can add a UV or Skylight filter (available at your neighborhood camera shop). The main purpose of this filter is to protect the lens from scrapes, scratches, bumps, and bruises. A filter only costs a few dollars, and you can replace it if it gets dinged.
Most inexpensive digital cameras don't have threads for filters. If your lens lacks screw threads, you need to be extra careful and remember to cover the lens whenever the camera isn't in use. If your camera has a built-in cover that closes whenever the camera is turned off, so much the better. Regardless of the price of your camera, handle the lens elements as infrequently as possible. Even cleaning the lens in the wrong way can wipe away special coatings and increase the chances of a scratch.
So, here's how to clean it correctly.
Depending upon how frequently you use your camera, every few weeks or months you may discover that the lens is dirty. Pick up a lens cleaning kit for just this purpose. Any photo store can sell you a good kit for just a few dollars.
Start with a lens brush and a blower, or a can of compressed air, to remove loose-clinging, abrasive particles--you'll want to blow them off before you wipe the lens with a tissue. Then place a drop or two of lens cleaning fluid on some lens tissue or cloth and clean the surface in a light, circular motion. Don't put the liquid directly on the lens, and don't press hard with the tissue. Let the lens dry, use your blower to blast away any remaining dust or particles, then cap the lens.You can use the same basic technique to clean the LCD viewfinder and the optical viewfinder. Because the optical viewfinder is small and recessed into the camera body, it can often be tricky to clean properly. Thankfully, you don't have to worry quite so much about scratching it, since it is neither quite so delicate nor as critical to taking good pictures.

Clean the Battery Contacts.
I thought that finding minor corrosion on battery contacts was a thing of the past, but I recently encountered not one, but two different cameras in which the metal contacts had corroded slightly from long-term exposure to a battery. How do you get rid of such grime? With a $50 Battery Contact Cleaning Kit, you ask? No, with a pencil eraser: Gently "erase" the corrosion. But be careful, you don't want to remove the metallic coating on the contacts. Keep in mind that the eraser is a mild abrasive; that's how it can remove the corrosion. You can also blast dust and grime out of the compartment with your compressed air.

Protect the Memory Card Slot
Finally, your memory card slot gets more abuse than nearly any other part of your camera.
Always be sure that you're installing cards correctly. Never force them--doing so can break connections and ruin the camera. Also, store your camera with a memory card in place or, if you can't do that, at least with the memory card cover closed--that keeps foreign matter out of the slot and protects the contacts. If you need to clean the slot, never, ever, ever (yes, that's one never and two evers) insert anything into the slot that doesn't belong there. Something as innocuous as a cotton swap can bend one of the delicate electrical pins. If necessary, blast some compressed air into the slot to blow out any intruders.

Before you buy

2008-03-20T16:33:00.002+07:00

Digital cameras come in many sizes, colors, brands, zooms, resolutions, playbacks, etc. There are so many features and qualities that are being placed in the devices that buyers especially first timers become overwhelmed and dizzy with these outstanding arrays of gadgets. This is even without including the various advertisements and different ratings that are used to promote these products.

So what are the things to look for if you want to buy digital camera? To be able to answer these, there are 2 sets of information you have to know before you can decide. The first type of information is defining what YOU need and want in a digital camera. To do this, you can ask yourself the following questions:

- What do you want to take with your digital camera?
Before you buy digital camera, it is important to determine what kind of pictures you want to take with it. If you are a digital photography enthusiast, any digital camera will not just do. You have to look for features that can support the zooming you need, the resolution, etc.

- How much is your budget?
This is a very important question any person who intends to buy digital camera should ask. Because no matter what your needs and wants are for the device, your financial resource will play a huge part in dictating the type of digital camera you will buy.

- What are you resources?
When you buy digital camera, sometimes the spending does not end there. You also have to consider the capacity and the power of the computer and the printer you will be hooking your camera with for your editing and printing needs. Editing software are already included when you buy digital camera but other devices aren't. Aside from a printer, ink and paper for printing, you might also need additional memory cards for your camera and a more powerful computer to support image editing and image storage and retrieval.

After answering these 3 questions, the second set of information you need to know before you buy digital camera are the features that you need in the device. These are:

- Resolution.
Before you buy digital camera, check first its capacity to produce high quality photo images. The number of pixels indicated determines resolution. The more number of pixels, the higher the resolution which can make photos to be enlarged without losing image quality.

- Built-in memory.
Digital cameras need memory cards for picture storage. When you buy digital camera, make sure that the gadget that you buy does not only have a "built-in" memory but should also have a card slot for external and additional memory. This allows you to change full memory cards conveniently while shooting your pictures.

- Look and feel.
It is essential for you to feel comfortable holding your digital camera while shooting. So, before you buy digital camera, it good to test and check if you are comfortable holding it and using it. Consider where the buttons are located and how they are spaced out and see also if you feel comfortable using the viewfinder.

- Battery life.
Digital cameras use up batteries fast and batteries are expensive. Before you buy digital camera, consider if the camera's batteries are rechargeable. This way you can recharge them. Take also into consideration an AC adapter when you buy digital camera. You can attach this to the camera when you are viewing your pictures or uploading them

- LCD.
The LCD is a special consideration you have to look into when you buy a digital camera. This is a small screen located at the back of a digital camera that allows you to preview the pictures you took. This has to be considered when you buy digital camera because it uses up a lot of battery power.

- Special features.
Special features that will suit your needs should be thought about, too before you buy digital camera. If you want your camera to have good zooming, you can opt for those with optical zoom lenses. A diopter adjustment on the digital camera's viewfinder will also be beneficial to those who regularly wear glasses and wish to buy digital camera. Other features such as remote control, tripods, etc. can also be considered when you buy a digital camera.

With these information, you can now figure out what you really need and want before you buy digital camera. If you want to see ratings and rankings of these devices based on price, resolution or other features, check out various websites that have these in the Internet.

For more information just click... here,. ...you can find the digital camera suit your need, just fill your selection and go....

DIGITAL CAMERA AS THE NEXT GENERATION

2008-03-15T23:42:00.003+07:00

Since the images that a digital camera captures is in electronic form, which is called pixels, tiny colored dots represented by ones and zeros that make up the picture that you just took. A digital camera is furnished with a series of lenses that focus the light and creates the image that you want to capture, just like any conventional cameras. The difference here is then; a conventional camera focuses its light on a film while a digital camera focuses the light into a semiconductor device that electronically records the light.

Basically a digital camera is capture pictures without the use of films. The digital camera does not rely on mechanical and chemical processes. It has a built in computer and records the images it captures in an electronic form. Having and operating one does not even require the use of electricity.

Digital camera has a sensor that converts light into electrical charges. A charge coupled device or CCD is an image sensor that is found in a digital camera. While other low-end digital camera use complementary metal oxide semiconductor or CMOS as an image device, it can still become better and more famous in the future but most engineers are do not believe that it can replace the CCD for higher-end digital cameras.

The price of a digital camera nowadays have been depreciating, one of the main reasons of this is because of the introduction of CMOS image sensors, this is because CMOS sensors are less expensive and are easier to manufacture than CCD sensors. A CCD and CMOS sensor works the same way at first, by converting the light electrical charges into photosites. Simply putting it, is to think that a digital camera works in such a way as thinking that the millions of tiny solar cells, each of which forms a part of the whole image. Both CCD and CMOS do this task using different methods.

Pay attention of these key features when shopping for a digital camera:
Image quality.
Resolution of the camera. The higher the resolution, the more thou will be able to enlarge your picture without the grainy or the out-of-focus effect that we all want to avoid.
Lens.
The digital zoom of the camera will enable you take the pixels from the image sensor and incorporate them to make an image. Choose a digital camera with better digital zoom.
Power.
Always opt for rechargeable batteries, they can always come in handy.
Options.
Choose the one that gives options that best cater to your lifestyle, so you won’t ever whine how you never get the right pictures.
Memory.
For this time 2 Gb is a standard for DSLR, and for fun (not DSLR ones) the minimum is 512MB just be sure that you have enough memory in your camera to takes pictures of just about anything.
Computer Interface.
Make sure that your digital camera compatible with your PC, laptop, palmtop or whatever your local picture printer software is.
Physical.
Fit with your need, If you are going to be bringing it everywhere, choose a handy and portable digital camera. This way, it won’t always feel as heavy and bulky as those cameras that you see professional photographers are always dragging on their neck.

As the next generation, digital camera is so great that it is quickly replacing all conventional cameras in the market, with all its technology and portability.